- Félix Rubio
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- Communist Manifesto Inverted
Communist Manifesto Inverted (2025) Original Oil Painting by Félix Rubio
33 x 47 x 3cm (unframed) / 33 x 47cm (actual image size)
£500.77
Original artwork description
Communist Manifesto Inverted is an ironic and philosophical exercise that explores the transformation of language into image.
The work is based on the opening lines of Karl Marx's Communist Manifesto, translated into Classical Greek and painted directly onto the canvas in reverse. By removing the text from its familiar linguistic and historical context, the painting turns a foundational political statement into an enigmatic visual artifact—something closer to an archaeological fragment than a manifesto.
The handwritten inscriptions become texture rather than message, while the organic forms that emerge from the surface—suggesting flames, flowers, masks, or fragments of the human body—create a dialogue between history, memory, and metamorphosis.
The title refers not only to the reversed writing but also to the inversion of meaning itself. Ideology is transformed into painting; certainty into ambiguity.
Materials used:
Oil Acrylic Mixed media Jute Paper Medium Pigments
Details:
- Oil painting on Canvas
- One of a kind artwork
- Size: 33 x 47 x 3cm (unframed) / 33 x 47cm (actual image size)
- Ready to hang
- Signed on the front
- Style: Organic
- Subject: Abstract and non-figurative
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Original artwork description
Communist Manifesto Inverted is an ironic and philosophical exercise that explores the transformation of language into image.
The work is based on the opening lines of Karl Marx's Communist Manifesto, translated into Classical Greek and painted directly onto the canvas in reverse. By removing the text from its familiar linguistic and historical context, the painting turns a foundational political statement into an enigmatic visual artifact—something closer to an archaeological fragment than a manifesto.
The handwritten inscriptions become texture rather than message, while the organic forms that emerge from the surface—suggesting flames, flowers, masks, or fragments of the human body—create a dialogue between history, memory, and metamorphosis.
The title refers not only to the reversed writing but also to the inversion of meaning itself. Ideology is transformed into painting; certainty into ambiguity.
Materials used:
Oil Acrylic Mixed media Jute Paper Medium Pigments
Details:
- Oil painting on Canvas
- One of a kind artwork
- Size: 33 x 47 x 3cm (unframed) / 33 x 47cm (actual image size)
- Ready to hang
- Signed on the front
- Style: Organic
- Subject: Abstract and non-figurative





