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Breach of Trust (2025) Original Acrylic Painting by Gera Dunachie

45 x 45 x 4cm (framed)

£560

Breach of Trust explores the moment when certainty gives way to doubt. Layers of pale grey, muted blue and softened neutrals are interrupted by darker forms and a deep crimson passage that sits beneath the surface like a persistent signal. The composition balances concealment and revelation, with traces of earlier marks remaining visible and contributing to a sense of history, tension and repair.

This work may appeal to collectors drawn to contemporary abstraction that combines restraint with emotional depth. Its quiet palette and layered surface create a strong yet understated presence, while the interplay between structure and disruption continues to unfold with time. It is a painting for those who value complexity, ambiguity and work that reveals itself gradually through repeated viewing.

This work has been framed in white float frame and is ready to hang.

I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.

I have aphantasia and syneasthesia: I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.

Materials used:

Acrylics, Paper, Pencil

Details:

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Breach of Trust explores the moment when certainty gives way to doubt. Layers of pale grey, muted blue and softened neutrals are interrupted by darker forms and a deep crimson passage that sits beneath the surface like a persistent signal. The composition balances concealment and revelation, with traces of earlier marks remaining visible and contributing to a sense of history, tension and repair.

This work may appeal to collectors drawn to contemporary abstraction that combines restraint with emotional depth. Its quiet palette and layered surface create a strong yet understated presence, while the interplay between structure and disruption continues to unfold with time. It is a painting for those who value complexity, ambiguity and work that reveals itself gradually through repeated viewing.

This work has been framed in white float frame and is ready to hang.

I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.

I have aphantasia and syneasthesia: I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.

Materials used:

Acrylics, Paper, Pencil

Details:

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Gera Dunachie

Location United Kingdom

About
I'm an abstract painter working on cradled wood panels. My work begins in sensation, not sight. I have aphantasia, which means I can't visualise, so each painting builds through tone,... Read more

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