Original artwork description:

In this captivating masterpiece, light dances with shadow, creating a symphony of contrasts that echo the eternal dialogue between fullness and emptiness, presence and absence. The expansive 100 x 100 cm canvas serves as a portal into a metaphysical realm where the Creator's playful traces whisper through textures and hues, reminding us of our star-dust origins in the infinite cosmos.
Ovidiu Kloska's work delves deeply into the oneiric and metaphysical dimensions of space, time, matter, and human spirituality. His fascination with the eroding traces of time and matter—those fragile yet profound marks etched into the world around us—infuses his art with a reverence for transformation. His paintings capture the beauty of impermanence, reflecting the eternal truth that we are an inseparable part of an ever-expanding, ever-changing universe.
The composition reveals an intricate interplay of luminous vibrations, as if light itself is alive—reaching, receding, and illuminating the vast silences of darkness. Each stroke bears the artist's signature touch, a profound sensitivity to the ephemeral beauty of light. In this divine chiaroscuro, one feels the weight of the eternal spectacle, where time is both fleeting and infinite.
The textured layers evoke the aged beauty of forgotten places—cracked sidewalks, weathered walls, and rusty fences—reimagined with an abstract vibrancy. These structures, transformed into celestial terraforms, pulse with life and memory, immortalized in the painter's visionary world. Kloska’s work embodies his effort to extract the perennial beauty hidden within the passage of time, emphasizing our connection to the mysterious rhythm of existence.
Crafted with professional acrylics and protected by a varnished finish, this painting stands as a testament to Ovidiu Kloska's rising prominence in the art world. Its authenticity certificate seals its status as a treasure for any contemporary collection, embodying not just art, but a profound meditation on the universe's enigmatic dance of light, shadow, and transformation.

Between Two Breaths of the Absolute

In this Composition 10, now bearing the title Between Two Breaths of the Absolute, light is no longer a fleeting phenomenon but a sentient force—a living presence that searches, reveals, and inscribes its own cosmology within the folds of shadow. The painting becomes a threshold-realm, a transitional space where hidden energies, gestural imprints, and material turbulence rearrange themselves to the rhythm of a breath seemingly exhaled from beyond time. Here, darkness is not absence but a primordial matrix, while the incandescent white becomes the pulse of return toward an essence without form yet full of meaning.

The cold violets, graphite shadows, and luminous fractures echo the creative vectors opened in “The Book of Angels,” “Beyond the Inside,” and “Kafkian Eternity.” Yet in this work, all these trajectories converge and dissolve into a single phenomenon: the angelic stripped of its figure, expressed as pure vibration, as diffused expansion, as an inner wave rising from a mute core and dispersing like a cold breath over a sea of cosmic ash.

The composition unfolds like an event occurring both before and within the viewer: a vortex, a rupture, a revelation not meant to be explained but experienced. The surfaces seem melted, stretched, activated by a force emerging from unnameable depths—fragments of astral memory, echoes of bodiless beings, remnants of a luminous mantle refusing dissolution. Everything breathes in two simultaneous directions: toward the abyss and toward ascent.

Here, the divine does not descend—it diffuses.
And darkness does not devour—it envelops.

Between these two breaths of the absolute, in that narrow interval, the poetry of the work arises: a gateway into a reality neither human nor angelic, but a pure vibration, an energetic field reflecting both our inner abysses and our highest elevations.

This is the transcendent geometry of light becoming flesh and shadow becoming breath.
A painting not to be seen—but to be crossed through.

Materials used:

acrylic hand painting on stretched canvas / ready to hang

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