- Thomas Donaldson
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- 2-15-17 three figures (Sara)
2-15-17 three figures (Sara) (2017)Oil painting by Thomas Donaldson
150 x 150 x 5cm (unframed) / 150 x 150cm (actual image size)
£1,500Sold
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Original artwork description
three figures (Sara) is a large scale multiple head study on canvas in oils using a muted palette contrasting with areas of vibrant colour. Painted with a loose application of paint ranging from thin glazes to thicker impasto. It continues my interest in the presentation and concepts of beauty. We are exposed to countless images of manipulated perfection of the human form. This work is a counter balance to this through the use of uneven surface textures and blotches of paint. Creating an awkward imperfect or flawed beauty.
The works address the representation of traditional painting motifs such as the portrait and nude. Informed by popular cultural references from fashion, advertising media and television, and influenced by the work of Francis Bacon, Egon Schiele, Francisco Goya and the illustrator Ralph Steadman.
The visceral works utilize the human figure/head juxtaposed with abstract mark making, achieved through the application of thick impasto paint, dragging and smudging the surface plus the occasional ‘happy accident’. All these elements contribute in the process of making or constructing a painting, or ‘how to paint’.
The paintings are representational, but intend to suggest rather than depict an accurate observation. This is more apparent as the viewer approaches the work. The painted surface dissolves into a seemingly unorganized arrangement of blotches and irregular textures.
Materials used:
Oil paint on canvas
Details:
- Oil painting on Canvas
- One of a kind artwork
- Size: 150 x 150 x 5cm (unframed) / 150 x 150cm (actual image size)
- Signed on the back
- Style: Expressive and gestural
- Subject: People and portraits
Tags:
#oil painting#painting#expressive#figures#fineart#largescale
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Original artwork description
three figures (Sara) is a large scale multiple head study on canvas in oils using a muted palette contrasting with areas of vibrant colour. Painted with a loose application of paint ranging from thin glazes to thicker impasto. It continues my interest in the presentation and concepts of beauty. We are exposed to countless images of manipulated perfection of the human form. This work is a counter balance to this through the use of uneven surface textures and blotches of paint. Creating an awkward imperfect or flawed beauty.
The works address the representation of traditional painting motifs such as the portrait and nude. Informed by popular cultural references from fashion, advertising media and television, and influenced by the work of Francis Bacon, Egon Schiele, Francisco Goya and the illustrator Ralph Steadman.
The visceral works utilize the human figure/head juxtaposed with abstract mark making, achieved through the application of thick impasto paint, dragging and smudging the surface plus the occasional ‘happy accident’. All these elements contribute in the process of making or constructing a painting, or ‘how to paint’.
The paintings are representational, but intend to suggest rather than depict an accurate observation. This is more apparent as the viewer approaches the work. The painted surface dissolves into a seemingly unorganized arrangement of blotches and irregular textures.
Materials used:
Oil paint on canvas
Details:
- Oil painting on Canvas
- One of a kind artwork
- Size: 150 x 150 x 5cm (unframed) / 150 x 150cm (actual image size)
- Signed on the back
- Style: Expressive and gestural
- Subject: People and portraits
Tags:
#oil painting#painting#expressive#figures#fineart#largescale
Thomas Donaldson
Thailand
About
The
portrait/nude has been a traditional subject within the history of painting, is
easily recognizable, has been painted over and over again and something we’re all
familiar with, our own and other peoples.... Read more