Who's hunting whom? (2026) Original Acrylic Painting by Dasha Pogodina

ABOUT THE ARTWORK
“Who’s Hunting Whom?”
In this work, the artist explores the fragile and shifting dynamics of power, desire, and vulnerability within intimacy. The painting becomes a meditation on the ambiguity of roles in relationships, where dominance and submission constantly exchange places. The question posed by the title remains intentionally unresolved, emphasizing that in the space of attraction and emotional entanglement, certainty dissolves, and control proves to be an illusion.
The work reflects on how desire can simultaneously be an act of pursuit and surrender, a movement toward the Other that exposes one’s own fragility. Here, intimacy is revealed as a subtle psychological territory where instinct, longing, fear, and tenderness coexist. By blurring the boundaries between hunter and prey, the artist invites the viewer to confront their own projections, challenging conventional narratives of power, possession, and control within love and erotic connection.

PERICHORESIS SERIES
“Perichoresis” (ancient Greek περιχώρησις - “interpenetration”), a theological term meaning the mutual penetration of divine parts into each other, to describe a unique union that does not imply mixing or merging, but emphasizes an indivisible unity.
Daria explores the theme of new sexuality, deliberately choosing a term from theological treatises for her series of works.
With this gesture, she protests against the dictates of religion, the church’s manipulation and pessimization of human sexual manifestations and physicality, the false meanings and concepts with which religions have burdened, and instead of building true connections and bridges for man and God, they build walls.
“Perichoresis” for her is a beautiful and complex term that describes the fusion of the divine and the material. Having grown up in the Protestant tradition within an Orthodox society, Daria notes the common separation of sexuality from divinity in all these religions, while she sees sexuality as the clearest manifestation of divinity, beauty, and sublimity.
The artist notes that Christian culture has invested the image of the female body with a narrative of pornographic tension, while at the same time presenting paradise before the Fall as a sexual paradise, the Garden of earthly pleasures. For the artist, sexual paradise is a safe environment, complete trust, acceptance, the opportunity to open up and discover the Other, the opportunity to learn to be loved and to love.
Love is an environment where merging does not dissolve in another person, but on the contrary, strengthens the individuality of each and enriches each other.
Thus, the artist reminds that the division into the sublime and the low in love is artificial, and overcoming this division can make life more beautiful. The heroes of her paintings are immersed in the enigmatic space of love, and sometimes there are ironic scenes that balance the degree of sublimity.

Materials used:

Acrylic

Details:

• Acrylic painting on Canvas
• One of a kind artwork
• Size: 150 x 170 x 2cm (unframed) / 150 x 170cm (actual image size)
• Signed on the front
• Style: Impressionistic
• Subject: People and portraits