This work is built on tension between movement and structure, instinct and control. The black strokes move like cables under pressure, cutting across a field of fractured geometry. The colors ochre, red, gray, and white collide without blending, holding their ground. Each block and line feels deliberate, but none of it is premeditated.
It’s not a story; it’s a reaction. The surface carries the memory of resistance paint layered, scraped, and redrawn until the balance felt right. The red carries weight, not drama. The ochre suggests a brief warmth inside the noise. The gray and white hold it steady, giving form to the unrest.
The painting is not about clarity or message. It’s about rhythm the rhythm of things that overlap, break, and rebuild. It stands somewhere between order and exhaustion, like a system still running long after it was meant to stop.
£2,975.23
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This work is built on tension between movement and structure, instinct and control. The black strokes move like cables under pressure, cutting across a field of fractured geometry. The colors ochre, red, gray, and white collide without blending, holding their ground. Each block and line feels deliberate, but none of it is premeditated.
It’s not a story; it’s a reaction. The surface carries the memory of resistance paint layered, scraped, and redrawn until the balance felt right. The red carries weight, not drama. The ochre suggests a brief warmth inside the noise. The gray and white hold it steady, giving form to the unrest.
The painting is not about clarity or message. It’s about rhythm the rhythm of things that overlap, break, and rebuild. It stands somewhere between order and exhaustion, like a system still running long after it was meant to stop.
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