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The Women of Algiers (2015)Charcoal drawing
by Adam Grose MA PGCE

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Original artwork description

A study of Eugene Delacroix's painting of The Women of Algiers in charcoal and white oil pastel. This image is drawn observing his use of light and shadow, exploring the tonal values in black and white and its composition and the idea of how men in the past saw their female 'subjects/ objects'. I am exploring the patriarchal elements within art works and the entropy of images, through the erasure of the boundary line, leading to a fluidity between images and form, exploring the inter-connective reality of life. Delacroix is an artist I return back to, being one of a few artist's I refer back to and explore their works.

Materials used:

Charcoal, Oil Pastel, Turpentine, Linseed Oil, Norfolk Paper Stock.

Details:

Tags:

#figurative#drawing#charcoal#female form#composition#light and#oil pastels#observing the#women of#delacroix
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Original artwork description

A study of Eugene Delacroix's painting of The Women of Algiers in charcoal and white oil pastel. This image is drawn observing his use of light and shadow, exploring the tonal values in black and white and its composition and the idea of how men in the past saw their female 'subjects/ objects'. I am exploring the patriarchal elements within art works and the entropy of images, through the erasure of the boundary line, leading to a fluidity between images and form, exploring the inter-connective reality of life. Delacroix is an artist I return back to, being one of a few artist's I refer back to and explore their works.

Materials used:

Charcoal, Oil Pastel, Turpentine, Linseed Oil, Norfolk Paper Stock.

Details:

Tags:

#figurative#drawing#charcoal#female form#composition#light and#oil pastels#observing the#women of#delacroix
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Adam Grose MA PGCE

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Location United Kingdom

About
My work currently explores fragility through layering and entropy. It responds to history, memory, the landscape and the human condition. These semi-abstract and figurative glimpses are drawn from... Read more

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