๐๐ข๐ณ๐ช๐ฎ ๐๐ข๐ณ๐ฆ๐ญ๐ญ๐ข ๐ช๐ด ๐ข๐ฏ ๐๐ต๐ข๐ญ๐ช๐ข๐ฏ ๐ง๐ช๐ฏ๐ฆ ๐ข๐ณ๐ต ๐ฑ๐ฉ๐ฐ๐ต๐ฐ๐จ๐ณ๐ข๐ฑ๐ฉ๐ฆ๐ณ ๐ธ๐ฉ๐ฐ ๐ซ๐ฐ๐ช๐ฏ๐ฆ๐ฅ ๐๐ณ๐ต๐ง๐ช๐ฏ๐ฅ๐ฆ๐ณ ๐ข๐ต ๐ต๐ฉ๐ฆ ๐ฆ๐ฏ๐ฅ ๐ฐ๐ง 2021. ๐๐ฏ ๐ข ๐ด๐ฉ๐ฐ๐ณ๐ต ๐ต๐ช๐ฎ๐ฆ, ๐ฉ๐ฆ ๐ฆ๐ด๐ต๐ข๐ฃ๐ญ๐ช๐ด๐ฉ๐ฆ๐ฅ ๐ข ๐ฉ๐ช๐จ๐ฉ๐ญ๐บ ๐ท๐ช๐ด๐ช๐ฃ๐ญ๐ฆ ๐ข๐ฏ๐ฅ ๐ธ๐ฆ๐ญ๐ญ-๐ณ๐ฆ๐จ๐ข๐ณ๐ฅ๐ฆ๐ฅ ๐ฑ๐ณ๐ฆ๐ด๐ฆ๐ฏ๐ค๐ฆ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ฑ๐ญ๐ข๐ต๐ง๐ฐ๐ณ๐ฎ, ๐ด๐ถ๐ฑ๐ฑ๐ฐ๐ณ๐ต๐ฆ๐ฅ ๐ฃ๐บ ๐ข ๐จ๐ฐ๐ฐ๐ฅ ๐ด๐ข๐ญ๐ฆ๐ด ๐ฑ๐ฆ๐ณ๐ง๐ฐ๐ณ๐ฎ๐ข๐ฏ๐ค๐ฆ ๐ข๐ฏ๐ฅ ๐ช๐ฏ๐ค๐ณ๐ฆ๐ข๐ด๐ช๐ฏ๐จ ๐ณ๐ฆ๐ค๐ฐ๐จ๐ฏ๐ช๐ต๐ช๐ฐ๐ฏ ๐ง๐ณ๐ฐ๐ฎ ๐ข๐ณ๐ต ๐ฑ๐ฉ๐ฐ๐ต๐ฐ๐จ๐ณ๐ข๐ฑ๐ฉ๐บ ๐ฆ๐ฏ๐ต๐ฉ๐ถ๐ด๐ช๐ข๐ด๐ต๐ด ๐ข๐ฏ๐ฅ ๐ค๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ฐ๐ณ๐ด. ๐๐ฆ ๐ช๐ด ๐ฆ๐ด๐ฑ๐ฆ๐ค๐ช๐ข๐ญ๐ญ๐บ ๐ข๐ฑ๐ฑ๐ณ๐ฆ๐ค๐ช๐ข๐ต๐ฆ๐ฅ ๐ง๐ฐ๐ณ ๐ฉ๐ช๐ด ๐ฅ๐ฆ๐ฆ๐ฑ๐ญ๐บ ๐ฅ๐ณ๐ฆ๐ข๐ฎ๐ญ๐ช๐ฌ๐ฆ ๐๐ถ๐ด๐ค๐ข๐ฏ ๐ญ๐ข๐ฏ๐ฅ๐ด๐ค๐ข๐ฑ๐ฆ๐ด ๐ข๐ฏ๐ฅ ๐ข๐ฃ๐ด๐ต๐ณ๐ข๐ค๐ต ๐ญ๐ข๐ฏ๐ฅ๐ด๐ค๐ข๐ฑ๐ฆ ๐ค๐ฐ๐ฎ๐ฑ๐ฐ๐ด๐ช๐ต๐ช๐ฐ๐ฏ๐ด. ๐๐ฏ 2024, ๐ฉ๐ฆ ๐ธ๐ข๐ด ๐ฏ๐ข๐ฎ๐ฆ๐ฅ ๐ฃ๐ฐ๐ต๐ฉ ๐๐ฆ๐ด๐ต ๐๐ฉ๐ฐ๐ต๐ฐ๐จ๐ณ๐ข๐ฑ๐ฉ๐ฆ๐ณ ๐ข๐ฏ๐ฅ ๐๐ท๐ฆ๐ณ๐ข๐ญ๐ญ ๐๐ฆ๐ด๐ต ๐๐ณ๐ต๐ช๐ด๐ต ๐ฐ๐ฏ ๐๐ณ๐ต๐ง๐ช๐ฏ๐ฅ๐ฆ๐ณ.
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THE SEA INSIDE (STUDIO 10)
In this photograph, the sea is no longer landscapeโit is vibration, pulse, a vertical echo of the self. What was once a horizon becomes a line of tension, stretched thin between the weight of the sky and the pull of the water.
The photograph blurs deliberately, like memory under pressureโcalm on the surface, tectonic underneath.
Shot just before dawn, during what photography defines as the blue hour, at the Gulf of Baratti in Tuscany, this image is not about the view, but about how the view moves through you. The Etruscan ghosts are still there, not in the ruins but in the atmosphere: suspended, restless.
I chose not to simply observe; I intuitively dragged the clouds down into the waves and lifted the water into the sky, dissolving the boundaries between above and below. I wanted the viewer to float in that space in-betweenโwhere the image stops being a scene and becomes a state of being.
This is not the sea as seen from the shoreโthis is the sea as it exists inside: slow, enormous, unresolved.
Thereโs no splash, no foam, no clichรฉ. Only motion held in restraint, a silent struggle between clarity and disappearance.
- - -
THE SEA INSIDE (STUDIO 10)
โ๏ธ Limited edition of 5;
โ๏ธ Giclรฉe fine art print on Innova Exhibition Matte Polycotton Canvas 380gsm (with margin of 5 cm);
โ๏ธ Hand signed on the back;
โ๏ธ Certificate of authenticity, signed and numbered;
โ๏ธ Hahnemรผhle matt protective varnish for canvas inkjet prints applied.
***Please contact me for other mediums or sizes***
Giclรฉe fine art print on Exhibition Matte Polycotton Canvas 380gsm
10 Artist Reviews
ยฃ668.36ย
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๐๐ข๐ณ๐ช๐ฎ ๐๐ข๐ณ๐ฆ๐ญ๐ญ๐ข ๐ช๐ด ๐ข๐ฏ ๐๐ต๐ข๐ญ๐ช๐ข๐ฏ ๐ง๐ช๐ฏ๐ฆ ๐ข๐ณ๐ต ๐ฑ๐ฉ๐ฐ๐ต๐ฐ๐จ๐ณ๐ข๐ฑ๐ฉ๐ฆ๐ณ ๐ธ๐ฉ๐ฐ ๐ซ๐ฐ๐ช๐ฏ๐ฆ๐ฅ ๐๐ณ๐ต๐ง๐ช๐ฏ๐ฅ๐ฆ๐ณ ๐ข๐ต ๐ต๐ฉ๐ฆ ๐ฆ๐ฏ๐ฅ ๐ฐ๐ง 2021. ๐๐ฏ ๐ข ๐ด๐ฉ๐ฐ๐ณ๐ต ๐ต๐ช๐ฎ๐ฆ, ๐ฉ๐ฆ ๐ฆ๐ด๐ต๐ข๐ฃ๐ญ๐ช๐ด๐ฉ๐ฆ๐ฅ ๐ข ๐ฉ๐ช๐จ๐ฉ๐ญ๐บ ๐ท๐ช๐ด๐ช๐ฃ๐ญ๐ฆ ๐ข๐ฏ๐ฅ ๐ธ๐ฆ๐ญ๐ญ-๐ณ๐ฆ๐จ๐ข๐ณ๐ฅ๐ฆ๐ฅ ๐ฑ๐ณ๐ฆ๐ด๐ฆ๐ฏ๐ค๐ฆ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ฑ๐ญ๐ข๐ต๐ง๐ฐ๐ณ๐ฎ, ๐ด๐ถ๐ฑ๐ฑ๐ฐ๐ณ๐ต๐ฆ๐ฅ ๐ฃ๐บ ๐ข ๐จ๐ฐ๐ฐ๐ฅ ๐ด๐ข๐ญ๐ฆ๐ด ๐ฑ๐ฆ๐ณ๐ง๐ฐ๐ณ๐ฎ๐ข๐ฏ๐ค๐ฆ ๐ข๐ฏ๐ฅ ๐ช๐ฏ๐ค๐ณ๐ฆ๐ข๐ด๐ช๐ฏ๐จ ๐ณ๐ฆ๐ค๐ฐ๐จ๐ฏ๐ช๐ต๐ช๐ฐ๐ฏ ๐ง๐ณ๐ฐ๐ฎ ๐ข๐ณ๐ต ๐ฑ๐ฉ๐ฐ๐ต๐ฐ๐จ๐ณ๐ข๐ฑ๐ฉ๐บ ๐ฆ๐ฏ๐ต๐ฉ๐ถ๐ด๐ช๐ข๐ด๐ต๐ด ๐ข๐ฏ๐ฅ ๐ค๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ฐ๐ณ๐ด. ๐๐ฆ ๐ช๐ด ๐ฆ๐ด๐ฑ๐ฆ๐ค๐ช๐ข๐ญ๐ญ๐บ ๐ข๐ฑ๐ฑ๐ณ๐ฆ๐ค๐ช๐ข๐ต๐ฆ๐ฅ ๐ง๐ฐ๐ณ ๐ฉ๐ช๐ด ๐ฅ๐ฆ๐ฆ๐ฑ๐ญ๐บ ๐ฅ๐ณ๐ฆ๐ข๐ฎ๐ญ๐ช๐ฌ๐ฆ ๐๐ถ๐ด๐ค๐ข๐ฏ ๐ญ๐ข๐ฏ๐ฅ๐ด๐ค๐ข๐ฑ๐ฆ๐ด ๐ข๐ฏ๐ฅ ๐ข๐ฃ๐ด๐ต๐ณ๐ข๐ค๐ต ๐ญ๐ข๐ฏ๐ฅ๐ด๐ค๐ข๐ฑ๐ฆ ๐ค๐ฐ๐ฎ๐ฑ๐ฐ๐ด๐ช๐ต๐ช๐ฐ๐ฏ๐ด. ๐๐ฏ 2024, ๐ฉ๐ฆ ๐ธ๐ข๐ด ๐ฏ๐ข๐ฎ๐ฆ๐ฅ ๐ฃ๐ฐ๐ต๐ฉ ๐๐ฆ๐ด๐ต ๐๐ฉ๐ฐ๐ต๐ฐ๐จ๐ณ๐ข๐ฑ๐ฉ๐ฆ๐ณ ๐ข๐ฏ๐ฅ ๐๐ท๐ฆ๐ณ๐ข๐ญ๐ญ ๐๐ฆ๐ด๐ต ๐๐ณ๐ต๐ช๐ด๐ต ๐ฐ๐ฏ ๐๐ณ๐ต๐ง๐ช๐ฏ๐ฅ๐ฆ๐ณ.
---
THE SEA INSIDE (STUDIO 10)
In this photograph, the sea is no longer landscapeโit is vibration, pulse, a vertical echo of the self. What was once a horizon becomes a line of tension, stretched thin between the weight of the sky and the pull of the water.
The photograph blurs deliberately, like memory under pressureโcalm on the surface, tectonic underneath.
Shot just before dawn, during what photography defines as the blue hour, at the Gulf of Baratti in Tuscany, this image is not about the view, but about how the view moves through you. The Etruscan ghosts are still there, not in the ruins but in the atmosphere: suspended, restless.
I chose not to simply observe; I intuitively dragged the clouds down into the waves and lifted the water into the sky, dissolving the boundaries between above and below. I wanted the viewer to float in that space in-betweenโwhere the image stops being a scene and becomes a state of being.
This is not the sea as seen from the shoreโthis is the sea as it exists inside: slow, enormous, unresolved.
Thereโs no splash, no foam, no clichรฉ. Only motion held in restraint, a silent struggle between clarity and disappearance.
- - -
THE SEA INSIDE (STUDIO 10)
โ๏ธ Limited edition of 5;
โ๏ธ Giclรฉe fine art print on Innova Exhibition Matte Polycotton Canvas 380gsm (with margin of 5 cm);
โ๏ธ Hand signed on the back;
โ๏ธ Certificate of authenticity, signed and numbered;
โ๏ธ Hahnemรผhle matt protective varnish for canvas inkjet prints applied.
***Please contact me for other mediums or sizes***
Giclรฉe fine art print on Exhibition Matte Polycotton Canvas 380gsm
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