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The Sea inside (studio 10) (2024)Photograph by Karim Carella

90 x 90 x 0.2cm (unframed) / 80 x 80cm (actual image size)

14 Artist Reviews

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๐˜’๐˜ข๐˜ณ๐˜ช๐˜ฎ ๐˜Š๐˜ข๐˜ณ๐˜ฆ๐˜ญ๐˜ญ๐˜ข ๐˜ช๐˜ด ๐˜ข๐˜ฏ ๐˜๐˜ต๐˜ข๐˜ญ๐˜ช๐˜ข๐˜ฏ ๐˜ง๐˜ช๐˜ฏ๐˜ฆ ๐˜ข๐˜ณ๐˜ต ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ซ๐˜ฐ๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ˆ๐˜ณ๐˜ต๐˜ง๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ง 2021. ๐˜๐˜ฏ ๐˜ข ๐˜ด๐˜ฉ๐˜ฐ๐˜ณ๐˜ต ๐˜ต๐˜ช๐˜ฎ๐˜ฆ, ๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ด๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ช๐˜ด๐˜ฉ๐˜ฆ๐˜ฅ ๐˜ข ๐˜ฉ๐˜ช๐˜จ๐˜ฉ๐˜ญ๐˜บ ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ฃ๐˜ญ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฆ๐˜ญ๐˜ญ-๐˜ณ๐˜ฆ๐˜จ๐˜ข๐˜ณ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ญ๐˜ข๐˜ต๐˜ง๐˜ฐ๐˜ณ๐˜ฎ, ๐˜ด๐˜ถ๐˜ฑ๐˜ฑ๐˜ฐ๐˜ณ๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ข ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ด๐˜ข๐˜ญ๐˜ฆ๐˜ด ๐˜ฑ๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ฏ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜จ๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ข๐˜ณ๐˜ต ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜บ ๐˜ฆ๐˜ฏ๐˜ต๐˜ฉ๐˜ถ๐˜ด๐˜ช๐˜ข๐˜ด๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ฐ๐˜ณ๐˜ด. ๐˜๐˜ฆ ๐˜ช๐˜ด ๐˜ฆ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ข๐˜ฑ๐˜ฑ๐˜ณ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฉ๐˜ช๐˜ด ๐˜ฅ๐˜ฆ๐˜ฆ๐˜ฑ๐˜ญ๐˜บ ๐˜ฅ๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜›๐˜ถ๐˜ด๐˜ค๐˜ข๐˜ฏ ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜ฃ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ค๐˜ต ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด. ๐˜๐˜ฏ 2024, ๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ด ๐˜ฏ๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜ฐ๐˜ต๐˜ฉ ๐˜‰๐˜ฆ๐˜ด๐˜ต ๐˜—๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜–๐˜ท๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ญ ๐˜‰๐˜ฆ๐˜ด๐˜ต ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต ๐˜ฐ๐˜ฏ ๐˜ˆ๐˜ณ๐˜ต๐˜ง๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ.
---
THE SEA INSIDE (STUDIO 10)

In this photograph, the sea is no longer landscapeโ€”it is vibration, pulse, a vertical echo of the self. What was once a horizon becomes a line of tension, stretched thin between the weight of the sky and the pull of the water.
The photograph blurs deliberately, like memory under pressureโ€”calm on the surface, tectonic underneath.

Shot just before dawn, during what photography defines as the blue hour, at the Gulf of Baratti in Tuscany, this image is not about the view, but about how the view moves through you. The Etruscan ghosts are still there, not in the ruins but in the atmosphere: suspended, restless.

I chose not to simply observe; I intuitively dragged the clouds down into the waves and lifted the water into the sky, dissolving the boundaries between above and below. I wanted the viewer to float in that space in-betweenโ€”where the image stops being a scene and becomes a state of being.

This is not the sea as seen from the shoreโ€”this is the sea as it exists inside: slow, enormous, unresolved.
Thereโ€™s no splash, no foam, no clichรฉ. Only motion held in restraint, a silent struggle between clarity and disappearance.
- - -

THE SEA INSIDE (STUDIO 10)

โœ”๏ธ Limited edition of 5;
โœ”๏ธ Giclรฉe fine art print on Innova Exhibition Matte Polycotton Canvas 380gsm (with margin of 5 cm);
โœ”๏ธ Hand signed on the back;
โœ”๏ธ Certificate of authenticity, signed and numbered;
โœ”๏ธ Hahnemรผhle matt protective varnish for canvas inkjet prints applied.

*Please contact me for other mediums or sizes*

Materials used:

Giclรฉe fine art print on Exhibition Matte Polycotton Canvas 380gsm

Details:

Tags:

#dawn#minimalism#peaceful#canvas print#tuscany landscape#sea sky#sea inspiration#blu abstract#tuscan seascape#blue waves
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๐˜’๐˜ข๐˜ณ๐˜ช๐˜ฎ ๐˜Š๐˜ข๐˜ณ๐˜ฆ๐˜ญ๐˜ญ๐˜ข ๐˜ช๐˜ด ๐˜ข๐˜ฏ ๐˜๐˜ต๐˜ข๐˜ญ๐˜ช๐˜ข๐˜ฏ ๐˜ง๐˜ช๐˜ฏ๐˜ฆ ๐˜ข๐˜ณ๐˜ต ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ซ๐˜ฐ๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ˆ๐˜ณ๐˜ต๐˜ง๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ง 2021. ๐˜๐˜ฏ ๐˜ข ๐˜ด๐˜ฉ๐˜ฐ๐˜ณ๐˜ต ๐˜ต๐˜ช๐˜ฎ๐˜ฆ, ๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ด๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ช๐˜ด๐˜ฉ๐˜ฆ๐˜ฅ ๐˜ข ๐˜ฉ๐˜ช๐˜จ๐˜ฉ๐˜ญ๐˜บ ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ฃ๐˜ญ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฆ๐˜ญ๐˜ญ-๐˜ณ๐˜ฆ๐˜จ๐˜ข๐˜ณ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ญ๐˜ข๐˜ต๐˜ง๐˜ฐ๐˜ณ๐˜ฎ, ๐˜ด๐˜ถ๐˜ฑ๐˜ฑ๐˜ฐ๐˜ณ๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ข ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ด๐˜ข๐˜ญ๐˜ฆ๐˜ด ๐˜ฑ๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ฏ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜จ๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ข๐˜ณ๐˜ต ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜บ ๐˜ฆ๐˜ฏ๐˜ต๐˜ฉ๐˜ถ๐˜ด๐˜ช๐˜ข๐˜ด๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ฐ๐˜ณ๐˜ด. ๐˜๐˜ฆ ๐˜ช๐˜ด ๐˜ฆ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ข๐˜ฑ๐˜ฑ๐˜ณ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฉ๐˜ช๐˜ด ๐˜ฅ๐˜ฆ๐˜ฆ๐˜ฑ๐˜ญ๐˜บ ๐˜ฅ๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜›๐˜ถ๐˜ด๐˜ค๐˜ข๐˜ฏ ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜ฃ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ค๐˜ต ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด. ๐˜๐˜ฏ 2024, ๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ด ๐˜ฏ๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜ฐ๐˜ต๐˜ฉ ๐˜‰๐˜ฆ๐˜ด๐˜ต ๐˜—๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜–๐˜ท๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ญ ๐˜‰๐˜ฆ๐˜ด๐˜ต ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต ๐˜ฐ๐˜ฏ ๐˜ˆ๐˜ณ๐˜ต๐˜ง๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ.
---
THE SEA INSIDE (STUDIO 10)

In this photograph, the sea is no longer landscapeโ€”it is vibration, pulse, a vertical echo of the self. What was once a horizon becomes a line of tension, stretched thin between the weight of the sky and the pull of the water.
The photograph blurs deliberately, like memory under pressureโ€”calm on the surface, tectonic underneath.

Shot just before dawn, during what photography defines as the blue hour, at the Gulf of Baratti in Tuscany, this image is not about the view, but about how the view moves through you. The Etruscan ghosts are still there, not in the ruins but in the atmosphere: suspended, restless.

I chose not to simply observe; I intuitively dragged the clouds down into the waves and lifted the water into the sky, dissolving the boundaries between above and below. I wanted the viewer to float in that space in-betweenโ€”where the image stops being a scene and becomes a state of being.

This is not the sea as seen from the shoreโ€”this is the sea as it exists inside: slow, enormous, unresolved.
Thereโ€™s no splash, no foam, no clichรฉ. Only motion held in restraint, a silent struggle between clarity and disappearance.
- - -

THE SEA INSIDE (STUDIO 10)

โœ”๏ธ Limited edition of 5;
โœ”๏ธ Giclรฉe fine art print on Innova Exhibition Matte Polycotton Canvas 380gsm (with margin of 5 cm);
โœ”๏ธ Hand signed on the back;
โœ”๏ธ Certificate of authenticity, signed and numbered;
โœ”๏ธ Hahnemรผhle matt protective varnish for canvas inkjet prints applied.

*Please contact me for other mediums or sizes*

Materials used:

Giclรฉe fine art print on Exhibition Matte Polycotton Canvas 380gsm

Details:

Tags:

#dawn#minimalism#peaceful#canvas print#tuscany landscape#sea sky#sea inspiration#blu abstract#tuscan seascape#blue waves
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Karim Carella

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Location Italy

About
***ARTFINDER AWARDS 2024 - ARTIST OF THE YEAR***Attracted since childhood by the beauty of nature and natural landscapes, I began to express myself artistically at the age of seven during...ย Read more

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