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Fragments IV Stillness (2026) Original Oil Painting by Jian Ma (Jane M.)

101.6 x 81.28 x 3.81cm (unframed) / 101.6 x 81.28cm (actual image size)

£1,333.36

Fragments IV is part of The Geometry of Silence, an ongoing series exploring memory, absence, and the emotional traces that remain after experience has faded.

Composed of a luminous square suspended within a quiet architectural field, the painting reduces space to a few essential elements. The illuminated opening suggests a distant presence, while the sweeping diagonal plane and vertical forms create a subtle tension between concealment and revelation. What appears solid becomes uncertain, and what appears empty begins to hold meaning.

Rather than depicting a specific location, the work invites viewers into a contemplative psychological space where fragments of memory emerge through light, geometry, and silence. What remains is not a narrative, but an atmosphere — restrained, reflective, and quietly unresolved.

Original oil painting by Jane Ma, 2026.

Materials used:

Oil on Canvas board

Details:

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Fragments IV is part of The Geometry of Silence, an ongoing series exploring memory, absence, and the emotional traces that remain after experience has faded.

Composed of a luminous square suspended within a quiet architectural field, the painting reduces space to a few essential elements. The illuminated opening suggests a distant presence, while the sweeping diagonal plane and vertical forms create a subtle tension between concealment and revelation. What appears solid becomes uncertain, and what appears empty begins to hold meaning.

Rather than depicting a specific location, the work invites viewers into a contemplative psychological space where fragments of memory emerge through light, geometry, and silence. What remains is not a narrative, but an atmosphere — restrained, reflective, and quietly unresolved.

Original oil painting by Jane Ma, 2026.

Materials used:

Oil on Canvas board

Details:

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Jian Ma (Jane M.)

Location United States

About
Jane M. ’s practice has developed through sustained independent studio research and professional studies in contemporary painting at Central Saint Martins, University of the Arts London. Her ongoing body of... Read more

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