In Mapped Silence, I wanted to stretch the idea of space — not just physically, but emotionally. This piece unfolded slowly, almost like walking through a familiar but changing land. Each block of color is like a pause or a breath — some heavy, some light — woven into the surface. I’m drawn to the quiet in between the defined areas, where the edges blur, and something subtle starts to speak. Under SYNTAX, this painting speaks in a language of stillness — a visual structure where the unsaid holds as much meaning as what is defined.
Acrylic paint , Oil Sticks
£3,388.05
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In Mapped Silence, I wanted to stretch the idea of space — not just physically, but emotionally. This piece unfolded slowly, almost like walking through a familiar but changing land. Each block of color is like a pause or a breath — some heavy, some light — woven into the surface. I’m drawn to the quiet in between the defined areas, where the edges blur, and something subtle starts to speak. Under SYNTAX, this painting speaks in a language of stillness — a visual structure where the unsaid holds as much meaning as what is defined.
Acrylic paint , Oil Sticks
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