Statement is an unapologetic expression of visual intent. Built through blocks of red, Ocher, and deep blue, the painting evokes a feeling of immediacy—of something declared with clarity and force. Within the Syntax collection, where every painting mirrors the structure of thought and language, this piece acts as a bold assertion, like a sentence that demands attention.
There are moments when a painting speaks before I do—this was one of them. The red form came early and powerfully, almost like a declaration. I didn't question it. I let it settle, then built the rest of the piece around it, carefully shaping the tension and balance between the bold and the quiet.
To me, Statement is about owning space—visually, emotionally, and energetically. It doesn’t hesitate. It knows what it wants to say. In the language of Syntax, this piece is the exclamation mark—the moment where instinct meets structure, and both stand firm.
Acrylic paint , Oil Sticks
£2,785.73
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Statement is an unapologetic expression of visual intent. Built through blocks of red, Ocher, and deep blue, the painting evokes a feeling of immediacy—of something declared with clarity and force. Within the Syntax collection, where every painting mirrors the structure of thought and language, this piece acts as a bold assertion, like a sentence that demands attention.
There are moments when a painting speaks before I do—this was one of them. The red form came early and powerfully, almost like a declaration. I didn't question it. I let it settle, then built the rest of the piece around it, carefully shaping the tension and balance between the bold and the quiet.
To me, Statement is about owning space—visually, emotionally, and energetically. It doesn’t hesitate. It knows what it wants to say. In the language of Syntax, this piece is the exclamation mark—the moment where instinct meets structure, and both stand firm.
Acrylic paint , Oil Sticks
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