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Sydney Harbour (2020)Oil painting
by Claire McCall

11 Artist Reviews

£4,305.97Sold

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“As she stood on the deck of the ferry at Circular Quay, Evie was conscious of storing up things for future recollection. Here was the lustily gleaming harbour, the absurdly golden midday, and the bridge, swinging away like a door on brass hinges as the ferry executed a slow turn. Above was an infinity of blue-becoming-black reaching far into space, almost shocking after the grey security of Melbourne. The scale of things was all wrong, too lavish, too sunny, too geared to applause.
Nevertheless.”
― Gail Jones, The Death of Noah Glass

This painting is completed with a palette knife to give texture, bold colour and movement.

Materials used:

Archival Oils on Canvas

Details:

Tags:

#palette knife#textured#sydney harbour#australian artists#sydney opera#australian art#sydney australia
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5.0

Overall Rating

Based on 11 reviews
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“As she stood on the deck of the ferry at Circular Quay, Evie was conscious of storing up things for future recollection. Here was the lustily gleaming harbour, the absurdly golden midday, and the bridge, swinging away like a door on brass hinges as the ferry executed a slow turn. Above was an infinity of blue-becoming-black reaching far into space, almost shocking after the grey security of Melbourne. The scale of things was all wrong, too lavish, too sunny, too geared to applause.
Nevertheless.”
― Gail Jones, The Death of Noah Glass

This painting is completed with a palette knife to give texture, bold colour and movement.

Materials used:

Archival Oils on Canvas

Details:

Tags:

#palette knife#textured#sydney harbour#australian artists#sydney opera#australian art#sydney australia
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Claire McCall

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Location Australia

About
It was the exhibition of one artist that flicked the artistic switch for me in my thirties. There have been many painting miles refining my skills with varied/bold brush strokes... Read more

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