This painting evokes the quiet atmosphere of a forest glade, rendered in a palette of gold and earthy natural tones. The scene suggests a moment of calm suffused with gentle light, hinting at the warmth of a setting sun. Light and shadow move softly beneath the forest canopy, which shimmers with an iridescent quality, creating a sense of depth and serenity. Subtle blends of pink, mocha, and gold introduce an element of mystery, forming an emotional landscape that invites the viewer to linger within a world of quiet narrative and tranquillity.
This is a one-of-a-kind original artwork, created using acrylic paints on a deep-edge canvas that requires no framing. The process begins with direct observation of place, supported by notes and photographs, before continuing intuitively in the studio. Initial layers are applied with a brush, followed by richly textured impasto built up with a palette knife. Techniques such as expressive dappled strokes, scumbling, and glazing are used to develop depth and luminosity. The painting continues until it reaches a natural conclusion.
The finished piece is contemporary in spirit, positioned at the intersection of abstraction and realism. The image continues around the sides of the canvas, the work is signed on the front, and it arrives ready to hang.
Acrylic Paints on deep edge canvas
28 Artist Reviews
£1,150
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This painting evokes the quiet atmosphere of a forest glade, rendered in a palette of gold and earthy natural tones. The scene suggests a moment of calm suffused with gentle light, hinting at the warmth of a setting sun. Light and shadow move softly beneath the forest canopy, which shimmers with an iridescent quality, creating a sense of depth and serenity. Subtle blends of pink, mocha, and gold introduce an element of mystery, forming an emotional landscape that invites the viewer to linger within a world of quiet narrative and tranquillity.
This is a one-of-a-kind original artwork, created using acrylic paints on a deep-edge canvas that requires no framing. The process begins with direct observation of place, supported by notes and photographs, before continuing intuitively in the studio. Initial layers are applied with a brush, followed by richly textured impasto built up with a palette knife. Techniques such as expressive dappled strokes, scumbling, and glazing are used to develop depth and luminosity. The painting continues until it reaches a natural conclusion.
The finished piece is contemporary in spirit, positioned at the intersection of abstraction and realism. The image continues around the sides of the canvas, the work is signed on the front, and it arrives ready to hang.
Acrylic Paints on deep edge canvas
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