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St Nicolas Church, Newbury (2016)Etchings & engravings by Rebecca Coleman

32 x 28 x 1cm (framed)

57 Artist Reviews

£110

FRAMED version: This print is mounted, framed and glazed.

Having grown up in a small village a few miles outside Newbury I have known this church for a long time. It is a very attractive building and gives a little hint to the Newbury of old. There has been a church on this site since Norman times. However, this present parish church was rebuilt in the sixteen century in the architectural style of the late Perpendicular period. Apparently, this church - like so many - was restored by the Victorians, but fortunately they didn’t meddle too much with the main structure.

Wood engraving is a form of fine art printmaking. The artist uses specialised tools to create the image in relief (and reverse) on the end grain of a block of hardwood - usually boxwood - by removing the 'white' parts of the image. This technique is painstaking and highly technical, and allows for the creation of exquisitely detailed works. Rebecca's wood engravings have been exhibited in the Royal Academy Summer Exhibition, with the Society of Wood Engravers, and in galleries across the world from Japan to the USA.

Materials used:

Wood engraving, ink on paper

Details:

Tags:

#church#architecture#monochrome#printmaking#wood engraving#berkshire
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5.0

Overall Rating

Based on 57 reviews
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FRAMED version: This print is mounted, framed and glazed.

Having grown up in a small village a few miles outside Newbury I have known this church for a long time. It is a very attractive building and gives a little hint to the Newbury of old. There has been a church on this site since Norman times. However, this present parish church was rebuilt in the sixteen century in the architectural style of the late Perpendicular period. Apparently, this church - like so many - was restored by the Victorians, but fortunately they didn’t meddle too much with the main structure.

Wood engraving is a form of fine art printmaking. The artist uses specialised tools to create the image in relief (and reverse) on the end grain of a block of hardwood - usually boxwood - by removing the 'white' parts of the image. This technique is painstaking and highly technical, and allows for the creation of exquisitely detailed works. Rebecca's wood engravings have been exhibited in the Royal Academy Summer Exhibition, with the Society of Wood Engravers, and in galleries across the world from Japan to the USA.

Materials used:

Wood engraving, ink on paper

Details:

Tags:

#church#architecture#monochrome#printmaking#wood engraving#berkshire
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Rebecca Coleman

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Location United Kingdom

About
Rebecca Coleman SGFA has exhibited work at some of the country's most iconic artistic locations — including the prestigious Royal Academy of Arts and the Royal West of England Academy —... Read more

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