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Springtime at Grandview Farm, Stowe (2026) Photograph by Francois de Melogue

63.5 x 43.18cm (unframed)

£295.54

Springtime at Grandview Farm, Stowe
Francois de Melogue
2026 | Archival pigment print on archival satin photo paper | 25x17

The barn at Grandview Farm sits square against a hillside just waking up. Its boards are the particular red of old paint that has thinned in the sun over many seasons, faded at the edges, peeling in long curling strips where the wood has expanded and contracted through too many winters. A small cupola breaks the roofline. A lean-to slopes away to one side, its corrugated edge catching the soft, diffuse light of a Vermont morning before the day has fully decided what it will be.

A dirt road curves past the barn and disappears into the folded terrain beyond. The hills behind are covered in the tentative, almost electric green of new growth, punctuated by stands of dark spruce that held their color through the cold months. The light is still low and even, the kind that flattens shadows and makes everything look slightly more itself. The grass is wet. Somewhere a bird is working through its morning. The scene holds a particular quiet that belongs to farms at this hour, when the work has not yet started and the land is simply standing there, doing what it does.

Quality is about longevity. I use a high-resolution Canon R5 Mark II to capture every detail of the Stowe, Vermont landscape. Each piece is printed in-studio using professional-grade Canon Pro-1100 and Epson P9000 systems with archival pigment inks on natural cotton paper to create a print that will last for generations.
Print only, with a 1/4 inch wide white bordering for convenient matting and (or) framing
Unmatted (unmounted) / unframed.

Materials used:

Shot on a Canon EOS R5 Mark II. Printed on a Canon imagePROGRAF PRO-1100 using museum-grade archival pigment inks on archival satin photo paper.

Details:

Tags:

#landscape#photography#fine art#farm#print#wall art#spring#new england#rural#barn#red barn#dirt road#americana#vermont#stowe
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Springtime at Grandview Farm, Stowe
Francois de Melogue
2026 | Archival pigment print on archival satin photo paper | 25x17

The barn at Grandview Farm sits square against a hillside just waking up. Its boards are the particular red of old paint that has thinned in the sun over many seasons, faded at the edges, peeling in long curling strips where the wood has expanded and contracted through too many winters. A small cupola breaks the roofline. A lean-to slopes away to one side, its corrugated edge catching the soft, diffuse light of a Vermont morning before the day has fully decided what it will be.

A dirt road curves past the barn and disappears into the folded terrain beyond. The hills behind are covered in the tentative, almost electric green of new growth, punctuated by stands of dark spruce that held their color through the cold months. The light is still low and even, the kind that flattens shadows and makes everything look slightly more itself. The grass is wet. Somewhere a bird is working through its morning. The scene holds a particular quiet that belongs to farms at this hour, when the work has not yet started and the land is simply standing there, doing what it does.

Quality is about longevity. I use a high-resolution Canon R5 Mark II to capture every detail of the Stowe, Vermont landscape. Each piece is printed in-studio using professional-grade Canon Pro-1100 and Epson P9000 systems with archival pigment inks on natural cotton paper to create a print that will last for generations.
Print only, with a 1/4 inch wide white bordering for convenient matting and (or) framing
Unmatted (unmounted) / unframed.

Materials used:

Shot on a Canon EOS R5 Mark II. Printed on a Canon imagePROGRAF PRO-1100 using museum-grade archival pigment inks on archival satin photo paper.

Details:

Tags:

#landscape#photography#fine art#farm#print#wall art#spring#new england#rural#barn#red barn#dirt road#americana#vermont#stowe
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Francois de Melogue

Location United States

About
I spent years as a farm-to-table chef before picking up a camera. Cooking taught me to pay close attention to ingredients, to light, and to the small details that make... Read more

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