The painting is a depiction of an old 1950’s camera which the artist keeps at his studio. The eye of the camera has been watching the artist work for a long time before he noticed it and decided to paint it. There is something anthropomorphic about the lense of a camera. The “eye” is very human. In the process of painting, the artist and the camera were looking at each other for hours. When you look into someone’s eyes for a long time a very special relation is built. You can almost look into their mind and memories but you remain silent. Many thoughts. No words.
The canvas is stretched on a thick 4 cm frame and has satin-glossy varnish layer.
Artwork is hand-signed by the artist at the front and the back of the canvas.
acrylic
£2,272.93
The painting is a depiction of an old 1950’s camera which the artist keeps at his studio. The eye of the camera has been watching the artist work for a long time before he noticed it and decided to paint it. There is something anthropomorphic about the lense of a camera. The “eye” is very human. In the process of painting, the artist and the camera were looking at each other for hours. When you look into someone’s eyes for a long time a very special relation is built. You can almost look into their mind and memories but you remain silent. Many thoughts. No words.
The canvas is stretched on a thick 4 cm frame and has satin-glossy varnish layer.
Artwork is hand-signed by the artist at the front and the back of the canvas.
acrylic
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This artwork is sold by Tomasz Brynowski from Poland