An unusual view of Smeaton's pier from the beach, while the tide is out.
I am increasingly working in a painterly manor, leaving heavy brush marks and making use of thick layers of paint in parts of my work to provide texture or Impasto. These brush marks are an integral part of the artwork and it is difficult using photographs to capture all the differing brush strokes, the colour variations and other nuances within the painting.
Each artwork comes to life in response to different lighting conditions as the light bounces off the ridges and troughs in the paint. Finding the best position for a painting in a room is important to enhance and attain the best effect.
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Please also note that this oil painting is a one off original, there are no other copies or prints.
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oil paint on panel
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