"Silver Birch Wood" is inspired by a woodland near my home in the beautiful Peak District. Drawn to the alchemy of turquoise, copper, and gold I have created the painting in these colours resulting in a vibrant piece full of light; warm tones and a subtle echo of sunlight through the trees. The soft gold and delicate textures weave a tapestry of serenity and freshness that will infuse any space with a peaceful calming energy.
This is a one-of-a-kind, original artwork, created using acrylic paints on a deep edged canvas. My process begins with time spent in the landscape, observing, taking notes, and photographing details that later inform my work in the studio.
From these observations, I move into a more intuitive phase, laying down base layers with a brush, then building up texture through impasto techniques with a palette knife. I incorporate optical mixing methods reminiscent of the Impressionists, as well as traditional techniques such as scumbling and glazing used by the old masters.
The painting evolves organically, and I continue refining it until it reaches a natural conclusion. The finished piece sits between abstraction and realism, a contemporary interpretation of nature. The painting continues round the edges of the canvas, so no frame is required and it’s ready to hang.
Acrylic Paints on deep edge canvas
28 Artist Reviews
£750
Loading
"Silver Birch Wood" is inspired by a woodland near my home in the beautiful Peak District. Drawn to the alchemy of turquoise, copper, and gold I have created the painting in these colours resulting in a vibrant piece full of light; warm tones and a subtle echo of sunlight through the trees. The soft gold and delicate textures weave a tapestry of serenity and freshness that will infuse any space with a peaceful calming energy.
This is a one-of-a-kind, original artwork, created using acrylic paints on a deep edged canvas. My process begins with time spent in the landscape, observing, taking notes, and photographing details that later inform my work in the studio.
From these observations, I move into a more intuitive phase, laying down base layers with a brush, then building up texture through impasto techniques with a palette knife. I incorporate optical mixing methods reminiscent of the Impressionists, as well as traditional techniques such as scumbling and glazing used by the old masters.
The painting evolves organically, and I continue refining it until it reaches a natural conclusion. The finished piece sits between abstraction and realism, a contemporary interpretation of nature. The painting continues round the edges of the canvas, so no frame is required and it’s ready to hang.
Acrylic Paints on deep edge canvas
14 day money back guaranteeLearn more