Original artwork description:

Nocturnal Script of the Infinite
In Nocturnal Script of the Infinite, part of the visionary series Between the Dark and Divine, the painting expands the metaphysical horizon of your artistic journey. Measuring 65 x 65 cm, it does not present an image in the traditional sense, but rather opens a threshold—a psychic and spiritual field where perception encounters its own limits and the unknown begins to resonate.
The surface seems enveloped in twilight matter, a spectral convergence of indigo, violet, and ash-gray tones. Within this liminal atmosphere, faint illuminations puncture the darkness like stars breaking through a cloudy sky, while organic traces—ghostly forms, lattices, spectral textures—suggest the persistence of memory, as if remnants of ancient codes or celestial manuscripts were embedded in the very skin of the canvas. The interplay of mists and fractures, veils and translucencies, transforms the composition into a living palimpsest, a site where time, light, and silence inscribe themselves as layers of meaning.
As in the earlier works of Between the Dark and Divine, the essence of this painting lies in its refusal of representation. Instead of depicting, it reveals; instead of narrating, it resonates. The canvas becomes a metaphysical cartography—an attempt to record not what can be seen, but what can only be felt: the subtle oscillation between the mortal and the eternal, between the density of matter and the luminosity of the divine.
The title Nocturnal Script of the Infinite is not accidental: the painting is indeed experienced as a text written in shadows and echoes, as a secret calligraphy where every mark, every fading gesture, every irruption of light functions as a letter of an unknown alphabet. This language is not meant to be deciphered logically, but absorbed intuitively, like the experience of music or silence.
Oneiric in its presence, the work connects with contemporary aesthetics through its embrace of ambiguity, fragmentation, and openness. Today’s sensibility is shaped by the instability of perception, the collapse of grand narratives, and the constant saturation of images. Your work absorbs these conditions, yet transcends them: the fractured surfaces become metaphors for existential fragility, while the atmospheric veils suggest the possibility of transcendence amid disorientation.
Compared to earlier pieces in the series, Nocturnal Script of the Infinite feels like a whispered revelation rather than a thunderous proclamation. If previous works explored gestural intensity and chromatic eruptions, here the divine emerges quietly, through erasure, through the subtle pulse of the unseen. This stillness is not emptiness but fullness—a silence in which the infinite writes itself.
From a wider art-historical lens, the painting converses with spiritual abstraction, recalling the luminous voids of Rothko, the cosmic suspensions of Zao Wou-Ki, or the textural cosmologies of Kiefer. Yet it reinvents this lineage within a contemporary register where painting becomes less an object and more an event, a ritual of perception that calls the viewer to inhabit a liminal zone between the known and the unknowable.
Ultimately, Nocturnal Script of the Infinite is an invocation. It stages the paradox that has always defined the series Between the Dark and Divine: that the Divine cannot be directly shown, only glimpsed through shadow, that infinity does not shout but whispers, that revelation is often hidden in erasure. What remains is a painting that is not an answer but a question, not a message but an opening—a nocturnal script that, once encountered, continues to write itself within the consciousness of the viewer.
Artist highlights

International Exposure
Experienced Artist
Covered by the Press
Painter of the Year 2023 of SINGULART AWARDS selected from more than 10000 artists

Beyond our power to understand creation are the efforts of artists concerned with exploring the areas of knowledge, with the encounter between the corporeal and the spiritual dimension, the mystery of the universe Ovidiu Kloska is transposed not only in painting, but also in other fields of art with which he experiments excitingly on the border between human and divine, between figurative and abstract.

Ovidiu Kloska Biography

Education

1995 - 2000

Gheorghe Asachi TEHCHNICAL UNIVERSITY IASI ROMANIA - Bachelor Degree in Electronics and Telecommunications

2013 - 2016

GEORGE ENESCU UNIVERSITY OF ARTS IASI ROMANIA - Bachelor Degree in Fine Arts

Beyond our power to understand creation are the efforts of artists concerned with exploring the areas of knowledge, with the encounter between the corporeal and the spiritual dimension, the mystery of the universe Ovidiu Kloska is transposed not only in painting, but also in other fields of art with which he experiments excitingly on the border between human and divine, between figurative and abstract.


Constantly fascinated, this dynamism of shape opens up in a unique way, by projecting a way of mind, a mind performance with neurological circuits. This is my magic eye.I believe that by uniqueness begins with the very capacity of inventing universe out of things shattered by time, things that have changed into ephemerity. There are hours that I spend staring at the mud, at the wrinkles of the trees, at the rust of walls damaged by time. It is an exercise that everybody should make. It means worming the spirit, getting in touch with the sublime. I am connected to silence and endless time during the short chat between things. Sublime. Esoteric. And the nigh, that cold, fascinating light that makes things change their meaning, driven by an inner tremble that is known from a previous moment, fluttering through images.

/ My visual relates with spirituality, dreams, unconsciousness, delirium, hallucination, with the change of shape and light, with the spontaneous, illusion, abnormal and normal, bizarre and wear. I was born in Romania, Neamt district,in a small town in N E of Romania at 27 of july 1977. In 2000 I graduated the Technical University Gheorghe Asachi from Iasi, Romania, Faculty of Electronics and Telecommunication. In 2009 I graduated master classes at George Enescu Art University from Iasi, Faculty of Fine Arts with the project Urban wear oniric interferences object of art. I Live and create in Focsani, Vrancea district from Romania /

Member of Romanian Union of Professional Artists UAP

Previous events
Event: Personal painting exhibition November 2019 Ovidiu Kloska

Dates: Nov. 20, 2019 - Dec. 19, 2019

Venue: romanArt Gallery Roman Romania, Romania
Exhibition took place at romanArt Gallery in artist home town Roman.

Event: Alone to the invisible touch , April 2015

Dates: April 17, 2015 - May 3, 2015

Venue: "Nicolae Mantu" Art Galleries, Galati Romania
Personal exhibition - Painting - "Nicolae Mantu" Art Galleries , Galati, Romania

Event: "Memory mark"

Dates: Nov. 14, 2009 - Nov. 25, 2009

Venue: Focsani, Vrancea, Romania
The concept event called "memory trace" is focused on
portrait of contemporary aesthetics, urban man fell into a sleep of impersonality,
of non-name, the spiritual and material constraint, featuring artist
direct expressive compositions, even incisive,
but bearing traces of that human memory will linger in the universe.
Will be exhibited works in oil on canvas, metal graphic interventions on photography,
creations in oil colors relate to wood, metal rusty wire and even nails.
Opening of the exhibition took place on November 14 hours 18. Special guest of this
Vrancea cultural initiatives is distinguished writer George Neagu, founder and editor
importance of cultural magazine "Literary Mirror".

Event: ESPACE COTOS ART GALLERY SAINT TROPEZ - FRANCE, October 2007 Exhibition

Dates: Oct. 2, 2007 - Oct. 18, 2007

Venue: Espace Cotos Art Gallery, Saint Tropez, France
Personal exhibition in a private Art Gallery owned by reknower french painter Georges Cotos.
Artist presented oil paintings on canvas and graphics on paper

Materials used:

acrylics and sprays on canvas framed varnished

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