Artwork description:

This print from the Sussex series is about fly fishing. You approach the stream as quietly as possible, seeking a rising fish, scanning the waters edges and pools for signs learned long ago. Sometimes an obvious indication such as a subtle movement disturbing the water’s surface like a bubble, rings, or a tail. Then observing the insect activity from fluttering to spent, often found on my waders. You select the imitation size and color that reflects what the fish are feeding on. Only then you move to a position to cover the water with as accurate a presentation as you can. The linocut depicts one of my favorite spots on the Flat Brook. It captures the lace like look of delicate shades of gray. Tonality is achieved through a series of textures rather than gradation. Texture is created by varying the direction and density of shapes and edges, moving between black and white. I use one engraving tool for all the marks in these prints, which lends a consistency to the work. Seen up close are a grouping of abstract and impressionistic marks but six feet away the image becomes representational.

Pale Morning Dun is an old English pattern well known is this country especially in the north east. My prints are quiet and the more time spent looking will be rewarded through subtle shifts of positive negative shapes between the foreground, middle, and background.

Materials used:

Daniel Smith Traditional Black Relief Ink on Zerkall Book Smooth Cream over Somerset Satin White 250gm

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