- Gary Moger
- All Artworks
- Frozen
Frozen (2003) Photograph by Gary Moger
66.04 x 45.72 x 0.25cm (unframed) / 60.96 x 40.13cm (actual image size)
£465
Artwork description
South Island, New Zealand. Dawn, 2003. The ground is still frozen.
The tussock grass is white with frost, stiff and silent in the cold air. A low mist drifts across the valley floor, caught between the frozen earth and the first warmth of the day. Beyond it, the Southern Alps — snow on the peaks, the nearer slopes already burning amber as the sun finds them.
I was up before the light. That's the only way to catch a morning like this.
There's a telegraph wire in the frame. I left it there. It's part of the landscape — a reminder that people live and work in this extraordinary place, that this isn't a wilderness untouched but a working valley at the edge of the world.
A Note on Process
Every print I sell is made in my own studio and checked for every detail and quality before I pack it for shipping. I use plastic free packaging.
The paper I use is the finest quality and after years of experimenting, I find it gives the best tonal range and finish.
Hahnemühle has been making art papers for hundreds of years.
Materials used:
Leica M6 camera, Kodak portrait NC film, Hahnemuhle Photorag Archival paper
Details:
- Photograph on Paper
- From a limited edition of 50
- Size: 66.04 x 45.72 x 0.25cm (unframed) / 60.96 x 40.13cm (actual image size)
- Signed and numbered certificate of authenticity
- Style: Photorealistic
- Subject: Landscapes, sea and sky
- Hurry, only 1 left in stock
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Artwork description
South Island, New Zealand. Dawn, 2003. The ground is still frozen.
The tussock grass is white with frost, stiff and silent in the cold air. A low mist drifts across the valley floor, caught between the frozen earth and the first warmth of the day. Beyond it, the Southern Alps — snow on the peaks, the nearer slopes already burning amber as the sun finds them.
I was up before the light. That's the only way to catch a morning like this.
There's a telegraph wire in the frame. I left it there. It's part of the landscape — a reminder that people live and work in this extraordinary place, that this isn't a wilderness untouched but a working valley at the edge of the world.
A Note on Process
Every print I sell is made in my own studio and checked for every detail and quality before I pack it for shipping. I use plastic free packaging.
The paper I use is the finest quality and after years of experimenting, I find it gives the best tonal range and finish.
Hahnemühle has been making art papers for hundreds of years.
Materials used:
Leica M6 camera, Kodak portrait NC film, Hahnemuhle Photorag Archival paper
Details:
- Photograph on Paper
- From a limited edition of 50
- Size: 66.04 x 45.72 x 0.25cm (unframed) / 60.96 x 40.13cm (actual image size)
- Signed and numbered certificate of authenticity
- Style: Photorealistic
- Subject: Landscapes, sea and sky
- Hurry, only 1 left in stock


