This artwork is a vivid, chaotic, and layered composition that recalls the Neo-Expressionist and street art sensibilities of artists like Jean-Michel Basquiat and Keith Haring. Its visual language is raw, symbol-heavy, and highly referential, suggesting a deliberate embrace of visual overload as a means of storytelling or cultural critique.
The style is purposefully naive, using childlike marks to evoke immediacy and emotional authenticity.
The bright colors and comic-style figures mask a deeper, possibly critical narrative about capitalism, globalization, identity, and media saturation.
This piece It’s not meant to be interpreted linearly but experienced as a flood of cultural signals and personal icons. The viewer is invited to decode or simply absorb—making it a powerful, participatory experience. The artist clearly engages with contemporary pop and political culture, constructing a visual diary that is messy, loud, and profoundly of the moment.
Acrylic, spray paint
33 Artist Reviews
£2,093.88
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This artwork is a vivid, chaotic, and layered composition that recalls the Neo-Expressionist and street art sensibilities of artists like Jean-Michel Basquiat and Keith Haring. Its visual language is raw, symbol-heavy, and highly referential, suggesting a deliberate embrace of visual overload as a means of storytelling or cultural critique.
The style is purposefully naive, using childlike marks to evoke immediacy and emotional authenticity.
The bright colors and comic-style figures mask a deeper, possibly critical narrative about capitalism, globalization, identity, and media saturation.
This piece It’s not meant to be interpreted linearly but experienced as a flood of cultural signals and personal icons. The viewer is invited to decode or simply absorb—making it a powerful, participatory experience. The artist clearly engages with contemporary pop and political culture, constructing a visual diary that is messy, loud, and profoundly of the moment.
Acrylic, spray paint
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