Original artwork description:

This work emerges from the encounter—at times conflicting, at times seductive—between the human body and the vegetal world. The figure, immersed in a dense weave of leaves, no longer seeks a harmonious fusion with nature: it twists, hides, resists. It’s a struggle filled with ambiguity, charged with tension, often slipping into eroticism and the desire for connection.
Through the skillful use of oil, ink, acrylics, and graphite on cotton canvas, the artist layers matter and meaning, crafting a vivid and dynamic composition. The handcrafted stretcher frame is an integral part of the work—not just a support, but a detail that contributes to its uniqueness.
A piece that explores the edges of the body, its vulnerabilities, and its relationship—never peaceful—with a nature that seduces, invades, and envelops.

Materials used:

oil colours, canvas, ink, graphite

Tags:
#painting #green 

lotta 2.0 (2025) Oil painting
by Isabellangela Germinario

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Original artwork description
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This work emerges from the encounter—at times conflicting, at times seductive—between the human body and the vegetal world. The figure, immersed in a dense weave of leaves, no longer seeks a harmonious fusion with nature: it twists, hides, resists. It’s a struggle filled with ambiguity, charged with tension, often slipping into eroticism and the desire for connection.
Through the skillful use of oil, ink, acrylics, and graphite on cotton canvas, the artist layers matter and meaning, crafting a vivid and dynamic composition. The handcrafted stretcher frame is an integral part of the work—not just a support, but a detail that contributes to its uniqueness.
A piece that explores the edges of the body, its vulnerabilities, and its relationship—never peaceful—with a nature that seduces, invades, and envelops.

Materials used:

oil colours, canvas, ink, graphite

Tags:
#painting #green 
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Isabellangela Germinario

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Location Italy

About
My art practice was born and developed through the representation of the human body. Over the years I have focused more and more on the depiction of limbs, in particular:... Read more

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