Artwork description:

๐˜’๐˜ข๐˜ณ๐˜ช๐˜ฎ ๐˜Š๐˜ข๐˜ณ๐˜ฆ๐˜ญ๐˜ญ๐˜ข ๐˜ช๐˜ด ๐˜ข๐˜ฏ ๐˜๐˜ต๐˜ข๐˜ญ๐˜ช๐˜ข๐˜ฏ ๐˜ง๐˜ช๐˜ฏ๐˜ฆ ๐˜ข๐˜ณ๐˜ต ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ซ๐˜ฐ๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ˆ๐˜ณ๐˜ต๐˜ง๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ง 2021. ๐˜๐˜ฏ ๐˜ข ๐˜ด๐˜ฉ๐˜ฐ๐˜ณ๐˜ต ๐˜ต๐˜ช๐˜ฎ๐˜ฆ, ๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ด๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ช๐˜ด๐˜ฉ๐˜ฆ๐˜ฅ ๐˜ข ๐˜ฉ๐˜ช๐˜จ๐˜ฉ๐˜ญ๐˜บ ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ฃ๐˜ญ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฆ๐˜ญ๐˜ญ-๐˜ณ๐˜ฆ๐˜จ๐˜ข๐˜ณ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ญ๐˜ข๐˜ต๐˜ง๐˜ฐ๐˜ณ๐˜ฎ, ๐˜ด๐˜ถ๐˜ฑ๐˜ฑ๐˜ฐ๐˜ณ๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ข ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ด๐˜ข๐˜ญ๐˜ฆ๐˜ด ๐˜ฑ๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ฏ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜จ๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ข๐˜ณ๐˜ต ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜บ ๐˜ฆ๐˜ฏ๐˜ต๐˜ฉ๐˜ถ๐˜ด๐˜ช๐˜ข๐˜ด๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ฐ๐˜ณ๐˜ด. ๐˜๐˜ฆ ๐˜ช๐˜ด ๐˜ฆ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ข๐˜ฑ๐˜ฑ๐˜ณ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฉ๐˜ช๐˜ด ๐˜ฅ๐˜ฆ๐˜ฆ๐˜ฑ๐˜ญ๐˜บ ๐˜ฅ๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜›๐˜ถ๐˜ด๐˜ค๐˜ข๐˜ฏ ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜ฃ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ค๐˜ต ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด. ๐˜๐˜ฏ 2024, ๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ด ๐˜ฏ๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜ฐ๐˜ต๐˜ฉ ๐˜‰๐˜ฆ๐˜ด๐˜ต ๐˜—๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜–๐˜ท๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ญ ๐˜‰๐˜ฆ๐˜ด๐˜ต ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต ๐˜ฐ๐˜ฏ ๐˜ˆ๐˜ณ๐˜ต๐˜ง๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ.

LIFEBLOOD #48

In Lifeblood #48, the tree's surface is no longer mere barkโ€”it is a living manuscript. Weathered and worn, its fibrous layers twist like ancient script carved by time and memory.
The photograph plunges into the intimate terrain of the trunk, revealing a visceral landscape of scars, veins, and silent ruptures.

The composition is stark yet organic, bathed in deep shadows and raw textures. Light slips through the grooves like breath through a fractured ribcage, tracing the story of a being marked by endurance. Each crevice and splinter sings of struggle and survivalโ€”a microcosm of resilience embedded in wood.

Here, the tree ceases to be a background element and emerges as a protagonist of metamorphosis. The image captures not just a detail, but a threshold: a moment between decay and persistence, between what once was and what continues to be. It is a portrait of living matter transcending stillness, where suffering and transformation coexist in tactile silence.

This photograph doesnโ€™t merely show a tree โ€” it exposes its soul. It vivisects the body of nature to reveal the ongoing pulse beneath the surface: the tension, the trauma, the beauty of survival.
- - -

LIFEBLOOD #48

โœ”๏ธ Limited edition of 3;
โœ”๏ธ Giclรฉe fine art print on Innova Exhibition Matte Polycotton Canvas 380gsm (with margin of 5 cm);
โœ”๏ธ Hand signed on the back;
โœ”๏ธ Certificate of authenticity, signed and numbered;
โœ”๏ธ Hahnemรผhle matt protective varnish for canvas inkjet prints applied.

***Please contact me for other mediums or sizes***

Materials used:

Giclรฉe fine art print on Exhibition Matte Polycotton Canvas 380gsm

Tags:
#abstractย #abstract artย #surreal artย #conceptual artย #canvas artย #tree abstractionย #abstract impressionistย #trunk patternsย #lifebloodย #resilience abstractย 

Lifeblood #48 (2025) Photograph
by Karim Carella

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ยฃ849.35ย Alert

  • Photograph on Canvas
  • From a limited edition of 3
  • Size: 90 x 130 x 0.2cm (unframed) / 80 x 120cm (actual image size)
  • Signed and numbered on the back
  • Style: Abstract
  • Subject: Flowers and plants
  • Hurry only 1 left in stock

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Artwork description
Minus

๐˜’๐˜ข๐˜ณ๐˜ช๐˜ฎ ๐˜Š๐˜ข๐˜ณ๐˜ฆ๐˜ญ๐˜ญ๐˜ข ๐˜ช๐˜ด ๐˜ข๐˜ฏ ๐˜๐˜ต๐˜ข๐˜ญ๐˜ช๐˜ข๐˜ฏ ๐˜ง๐˜ช๐˜ฏ๐˜ฆ ๐˜ข๐˜ณ๐˜ต ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ซ๐˜ฐ๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ˆ๐˜ณ๐˜ต๐˜ง๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ง 2021. ๐˜๐˜ฏ ๐˜ข ๐˜ด๐˜ฉ๐˜ฐ๐˜ณ๐˜ต ๐˜ต๐˜ช๐˜ฎ๐˜ฆ, ๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ด๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ช๐˜ด๐˜ฉ๐˜ฆ๐˜ฅ ๐˜ข ๐˜ฉ๐˜ช๐˜จ๐˜ฉ๐˜ญ๐˜บ ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ฃ๐˜ญ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฆ๐˜ญ๐˜ญ-๐˜ณ๐˜ฆ๐˜จ๐˜ข๐˜ณ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ญ๐˜ข๐˜ต๐˜ง๐˜ฐ๐˜ณ๐˜ฎ, ๐˜ด๐˜ถ๐˜ฑ๐˜ฑ๐˜ฐ๐˜ณ๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ข ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ด๐˜ข๐˜ญ๐˜ฆ๐˜ด ๐˜ฑ๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ฏ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜จ๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ข๐˜ณ๐˜ต ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜บ ๐˜ฆ๐˜ฏ๐˜ต๐˜ฉ๐˜ถ๐˜ด๐˜ช๐˜ข๐˜ด๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ฐ๐˜ณ๐˜ด. ๐˜๐˜ฆ ๐˜ช๐˜ด ๐˜ฆ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ข๐˜ฑ๐˜ฑ๐˜ณ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฉ๐˜ช๐˜ด ๐˜ฅ๐˜ฆ๐˜ฆ๐˜ฑ๐˜ญ๐˜บ ๐˜ฅ๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜›๐˜ถ๐˜ด๐˜ค๐˜ข๐˜ฏ ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜ฃ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ค๐˜ต ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด. ๐˜๐˜ฏ 2024, ๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ด ๐˜ฏ๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜ฐ๐˜ต๐˜ฉ ๐˜‰๐˜ฆ๐˜ด๐˜ต ๐˜—๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜–๐˜ท๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ญ ๐˜‰๐˜ฆ๐˜ด๐˜ต ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต ๐˜ฐ๐˜ฏ ๐˜ˆ๐˜ณ๐˜ต๐˜ง๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ.

LIFEBLOOD #48

In Lifeblood #48, the tree's surface is no longer mere barkโ€”it is a living manuscript. Weathered and worn, its fibrous layers twist like ancient script carved by time and memory.
The photograph plunges into the intimate terrain of the trunk, revealing a visceral landscape of scars, veins, and silent ruptures.

The composition is stark yet organic, bathed in deep shadows and raw textures. Light slips through the grooves like breath through a fractured ribcage, tracing the story of a being marked by endurance. Each crevice and splinter sings of struggle and survivalโ€”a microcosm of resilience embedded in wood.

Here, the tree ceases to be a background element and emerges as a protagonist of metamorphosis. The image captures not just a detail, but a threshold: a moment between decay and persistence, between what once was and what continues to be. It is a portrait of living matter transcending stillness, where suffering and transformation coexist in tactile silence.

This photograph doesnโ€™t merely show a tree โ€” it exposes its soul. It vivisects the body of nature to reveal the ongoing pulse beneath the surface: the tension, the trauma, the beauty of survival.
- - -

LIFEBLOOD #48

โœ”๏ธ Limited edition of 3;
โœ”๏ธ Giclรฉe fine art print on Innova Exhibition Matte Polycotton Canvas 380gsm (with margin of 5 cm);
โœ”๏ธ Hand signed on the back;
โœ”๏ธ Certificate of authenticity, signed and numbered;
โœ”๏ธ Hahnemรผhle matt protective varnish for canvas inkjet prints applied.

***Please contact me for other mediums or sizes***

Materials used:

Giclรฉe fine art print on Exhibition Matte Polycotton Canvas 380gsm

Tags:
#abstractย #abstract artย #surreal artย #conceptual artย #canvas artย #tree abstractionย #abstract impressionistย #trunk patternsย #lifebloodย #resilience abstractย 
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Karim Carella

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Location Italy

About
***ARTFINDER AWARDS 2024 - ARTIST OF THE YEAR***Attracted since childhood by the beauty of nature and natural landscapes, I began to express myself artistically at the age of seven during...ย Read more

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