Original artwork description:

The black field is pierced by sharp, angular forms — turquoise and white. Each line cuts through the surface with precision, setting direction and rhythm. There is no chaos here — only controlled movement, concentrated energy, and a fragile sense of balance. The space feels on edge — fractured, yet intact.
This is a moment of separation, when a unified structure begins to split into distinct vectors, and energy disperses into a new spatial logic.
The painting is made with acrylic on canvas. The artwork size is 100×90 cm, with a depth of 3 cm, and the edges are painted to match the composition. The total canvas size, including borders, is 111×101 cm.

Materials used:

Acrylic

Tags:
#conceptual art #geometric abstract #minimalist art #hard edge #bold lines #black blue #sharp contrast #abstract painting. #modern geometry #dynamic form 

Divergence 2 (2025) Acrylic painting
by Veronika Obushikhina

£588.42 Alert

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Original artwork description
Minus

The black field is pierced by sharp, angular forms — turquoise and white. Each line cuts through the surface with precision, setting direction and rhythm. There is no chaos here — only controlled movement, concentrated energy, and a fragile sense of balance. The space feels on edge — fractured, yet intact.
This is a moment of separation, when a unified structure begins to split into distinct vectors, and energy disperses into a new spatial logic.
The painting is made with acrylic on canvas. The artwork size is 100×90 cm, with a depth of 3 cm, and the edges are painted to match the composition. The total canvas size, including borders, is 111×101 cm.

Materials used:

Acrylic

Tags:
#conceptual art #geometric abstract #minimalist art #hard edge #bold lines #black blue #sharp contrast #abstract painting. #modern geometry #dynamic form 
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Veronika Obushikhina

Location Spain

About
I'm Veronika Obushikhina, an artist working across conceptual minimalism and abstract decorative painting. My visual language is based on clarity, precision, and a strong sense of form — whether it's... Read more

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