- Kseniia Turik
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- Diptych "Sillage" (Light Panel)
Diptych "Sillage" (Light Panel) (2025) Original Acrylic Painting by Kseniia Turik
50 x 150 x 3cm (unframed)
£2,601.45
Original artwork description
If the first panel of Sillage holds the weight of what has just passed, this one holds its echo. The same vertical descent — but here pearl, ivory and warm cream rise to the surface beneath a glass-clear layer of epoxy resin, and the copper veins are softened, almost translucent, like a wake that has begun to dissolve back into the water. There is a quiet inside this panel that the darker one does not have. I think of it as the moment after — the room a person leaves, the air still warm where they were standing.
This is one panel of a vertical diptych originally presented at Grand Palais, Paris, in 2026. Each panel stands as a complete work and can be acquired independently of its pair. I built the surface in the same three stages as its companion: first a base resin pour establishing the depth of the field, then heavy mineral paste and pigment forming the vertical relief, and finally a clear epoxy resin and lacquer layer that seals the texture beneath glass-like clarity. The dominant palette moves between pearl white, ivory, warm cream, soft copper and the faintest petrol green. Acrylic, lacquer and epoxy resin on premium gallery linen canvas, edges finished, signed on the reverse, wired and ready to hang. Certificate of Authenticity included.
Materials used:
Acrylic, Resin
Details:
- Acrylic painting on Canvas
- One of a kind artwork
- Size: 50 x 150 x 3cm (unframed)
- Ready to hang
- Signed on the back
- Style: Organic
- Subject: Abstract and non-figurative
Tags:
#epoxy resin#textured painting#resin painting#mineral abstract#pearl abstract#grand palais#french contemporary#vertical diptych#collector abstract#monumental abstract
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Original artwork description
If the first panel of Sillage holds the weight of what has just passed, this one holds its echo. The same vertical descent — but here pearl, ivory and warm cream rise to the surface beneath a glass-clear layer of epoxy resin, and the copper veins are softened, almost translucent, like a wake that has begun to dissolve back into the water. There is a quiet inside this panel that the darker one does not have. I think of it as the moment after — the room a person leaves, the air still warm where they were standing.
This is one panel of a vertical diptych originally presented at Grand Palais, Paris, in 2026. Each panel stands as a complete work and can be acquired independently of its pair. I built the surface in the same three stages as its companion: first a base resin pour establishing the depth of the field, then heavy mineral paste and pigment forming the vertical relief, and finally a clear epoxy resin and lacquer layer that seals the texture beneath glass-like clarity. The dominant palette moves between pearl white, ivory, warm cream, soft copper and the faintest petrol green. Acrylic, lacquer and epoxy resin on premium gallery linen canvas, edges finished, signed on the reverse, wired and ready to hang. Certificate of Authenticity included.
Materials used:
Acrylic, Resin
Details:
- Acrylic painting on Canvas
- One of a kind artwork
- Size: 50 x 150 x 3cm (unframed)
- Ready to hang
- Signed on the back
- Style: Organic
- Subject: Abstract and non-figurative
Tags:
#epoxy resin#textured painting#resin painting#mineral abstract#pearl abstract#grand palais#french contemporary#vertical diptych#collector abstract#monumental abstract