While painting Description of Space, I wasn’t trying to define a place—I was trying to sense one. The process felt like slowly arranging thoughts into form, letting each element find its place on the canvas with quiet intention.
The muted whites, dense blues, and weighted ochres felt like emotions unfolding—each shape both complete and dependent on the others. I approached this piece not as a construction, but as a reflection: a way to hold space that feels remembered rather than drawn.
It’s about what space means, not what it looks like. And how abstraction can still carry clarity—if we listen to its rhythm.
Acrylic and Oil Stick
£3,839.8
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While painting Description of Space, I wasn’t trying to define a place—I was trying to sense one. The process felt like slowly arranging thoughts into form, letting each element find its place on the canvas with quiet intention.
The muted whites, dense blues, and weighted ochres felt like emotions unfolding—each shape both complete and dependent on the others. I approached this piece not as a construction, but as a reflection: a way to hold space that feels remembered rather than drawn.
It’s about what space means, not what it looks like. And how abstraction can still carry clarity—if we listen to its rhythm.
Acrylic and Oil Stick
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