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Dawn in Peacham Vermont (2025) Photograph by Francois de Melogue

43.18 x 63.5cm

£297.38

Dawn in Peacham, Vermont
Francois de Melogue
2025 | Archival pigment print on professional luster paper | 17x25

By mid-October, the air inside the sanctuary smells of cold linseed oil and the dry, recycled breath of two centuries. The heat of summer has finally bled out of the hand-planed pews, replaced by a chill that rises from the granite foundation and settles into the floorboards. The bell in the tower was cast to carry its voice across the valley. Now it hangs in damp stillness, its iron tongue waiting for a hand that knows the particular rhythm of a village in transition.

Outside, the scent of bruised apples and decaying maple leaf mold lifts from the dirt as the ground begins its annual contraction. The structure does not lean into the wind. It displaces it. Peacham Congregational Church has stood as a fixed coordinate through the sheep era and the dairy years, a ledger of those who stayed, recorded in the wear of the threshold and the set of the roofline against a hardening sky.

Quality is about longevity. I use a high-resolution Canon R5 Mark II to capture every detail of the Vermont landscape. Each piece is printed in-studio using professional-grade Canon Pro-1100 with archival pigment inks on natural cotton paper to create a print that will last for generations.

Print only, with a 1/4 inch wide white bordering for convenient matting and (or) framing

Unmatted (unmounted)/ unframed

Materials used:

Shot on Canon R5 Mark II. Printed on Canon Pro-1100 using museum-grade archival pigment inks on luster fine art paper.

Details:

Tags:

#dawn#church#mountains#new england#fall foliage#autumn colors#sunsrise#vermont#peacham vermont
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Dawn in Peacham, Vermont
Francois de Melogue
2025 | Archival pigment print on professional luster paper | 17x25

By mid-October, the air inside the sanctuary smells of cold linseed oil and the dry, recycled breath of two centuries. The heat of summer has finally bled out of the hand-planed pews, replaced by a chill that rises from the granite foundation and settles into the floorboards. The bell in the tower was cast to carry its voice across the valley. Now it hangs in damp stillness, its iron tongue waiting for a hand that knows the particular rhythm of a village in transition.

Outside, the scent of bruised apples and decaying maple leaf mold lifts from the dirt as the ground begins its annual contraction. The structure does not lean into the wind. It displaces it. Peacham Congregational Church has stood as a fixed coordinate through the sheep era and the dairy years, a ledger of those who stayed, recorded in the wear of the threshold and the set of the roofline against a hardening sky.

Quality is about longevity. I use a high-resolution Canon R5 Mark II to capture every detail of the Vermont landscape. Each piece is printed in-studio using professional-grade Canon Pro-1100 with archival pigment inks on natural cotton paper to create a print that will last for generations.

Print only, with a 1/4 inch wide white bordering for convenient matting and (or) framing

Unmatted (unmounted)/ unframed

Materials used:

Shot on Canon R5 Mark II. Printed on Canon Pro-1100 using museum-grade archival pigment inks on luster fine art paper.

Details:

Tags:

#dawn#church#mountains#new england#fall foliage#autumn colors#sunsrise#vermont#peacham vermont
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Francois de Melogue

Location United States

About
Gemini said I spent years as a farm-to-table chef before picking up a camera. Cooking taught me to pay close attention to ingredients, to light, and to the small details that... Read more

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