In DANCING GRAINS (STUDIO 4), I wanted to explore the tension between abstraction and organic rhythm.
My intention was to create a dense, almost tactile surface where natural forms begin to dissolve into pure gesture.
Rather than depicting a literal wheat field, I aimed to evoke the memory of one - blurred by motion, softened by light, suspended somewhere between presence and disappearance.
The image is constructed from a web of fine, feather-like lines, layered to suggest both movement and stillness. The color palette wasn’t something I imposed - it emerged naturally from the warm summer light that originally bathed the scene.
Only subtly desaturated and cooled in post-processing, these tones - pale creams, warm ochres, muted rusts, and cool ivories - retain their organic origin, lending the work an earthy yet ethereal quality.
The grain is no longer a subject for me - it becomes a medium. A way to express time, motion, and memory in visual form. I was interested in pushing the piece toward a painterly quality, with layers that build a textile-like density - where photography begins to echo fiber art and abstraction.
- - -
DANCING GRAINS (STUDIO 4)
✔️ Limited edition of 15;
✔️ Giclée fine art print on Innova Exhibition Matte Polycotton Canvas 380gsm (with margin of 5 cm);
✔️ Hand signed on the back;
✔️ Certificate of authenticity, signed and numbered;
✔️ Hahnemühle matt protective varnish for canvas inkjet prints applied.
***Please contact me for other mediums or sizes***
Giclée fine art print on Innova Exhibition Matte Polycotton Canvas 380gsm
11 Artist Reviews
£563.01
Loading
In DANCING GRAINS (STUDIO 4), I wanted to explore the tension between abstraction and organic rhythm.
My intention was to create a dense, almost tactile surface where natural forms begin to dissolve into pure gesture.
Rather than depicting a literal wheat field, I aimed to evoke the memory of one - blurred by motion, softened by light, suspended somewhere between presence and disappearance.
The image is constructed from a web of fine, feather-like lines, layered to suggest both movement and stillness. The color palette wasn’t something I imposed - it emerged naturally from the warm summer light that originally bathed the scene.
Only subtly desaturated and cooled in post-processing, these tones - pale creams, warm ochres, muted rusts, and cool ivories - retain their organic origin, lending the work an earthy yet ethereal quality.
The grain is no longer a subject for me - it becomes a medium. A way to express time, motion, and memory in visual form. I was interested in pushing the piece toward a painterly quality, with layers that build a textile-like density - where photography begins to echo fiber art and abstraction.
- - -
DANCING GRAINS (STUDIO 4)
✔️ Limited edition of 15;
✔️ Giclée fine art print on Innova Exhibition Matte Polycotton Canvas 380gsm (with margin of 5 cm);
✔️ Hand signed on the back;
✔️ Certificate of authenticity, signed and numbered;
✔️ Hahnemühle matt protective varnish for canvas inkjet prints applied.
***Please contact me for other mediums or sizes***
Giclée fine art print on Innova Exhibition Matte Polycotton Canvas 380gsm
14 day money back guaranteeLearn more