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Original artwork description:

“Cathedral of the Silent Pulse”
mixed media on canvas/ 125 x 105 cm / framed with a silver box frame / varnished / signed September 2025 / available 0040720190320
In “Cathedral of the Silent Pulse”, Ovidiu Kloska brings forth a visual intensity that transcends the limits of figuration, descending into the liminal space where matter, light, and memory are rewritten into a fluid architecture of perception. The large-scale work (120 x 100 cm), part of the cycle “Beyond the Inside”, continues the exploration of a dimension where inside and outside cease to be boundaries, becoming gates of a single cosmic breath.
The painting breathes like a living organism. Multiple layers of transparency and density gather into a texture reminiscent of a misted stained-glass window, as if the viewer were stepping into a cathedral built not of stone and glass but of chromatic vibrations and metaphysical resonances. Diffused whites, pearly greys, and violet accents converge in a flow of energies, creating the impression of a hidden presence — a sacred core that beats beneath the surface, at once fragile and monumental.
The work does not describe a concrete space, but rather a process: the transfiguration of matter into symbol, a search for absolute silence through the visual tumult of textures. Chaos becomes ordered in the moment of contemplation, and the gaze discovers, at the center of the vortex, an inner rhythm, like a cosmic pulse reverberating beyond the limits of the canvas.
Cathedral of the Silent Pulse is not merely an image, but an immersive experience. It invites the viewer to be absorbed into the fluctuating hues and the hidden dynamics of forms, to access that subtle territory where reality becomes metaphor and presence turns into echo. Within this visual space, the viewer is guided toward zones of introspection where thought and emotion merge, and silence itself becomes a form of knowledge.
More than a painting, the work is a meditation on the invisible force that animates matter. Within its vibration lies a call toward the “beyond the inside,” where fragility and strength coexist, where the ephemeral rises to the rank of eternity. This is a cathedral built not from stones and walls, but from the living pulse of light and time.
Thus, Cathedral of the Silent Pulse becomes a gateway to transcendence, a place of encounter between the visible and the invisible, between the concrete and the metaphysical. It demands not only to be seen, but also to be listened to, for within it beats the rhythm of a silence that reminds us of our own interiority. In this subtle dance between the ephemeral and the absolute, Kloska’s painting reveals its true power: the transformation of contemplation into an act of knowledge.

Artist highlights

International Exposure
Experienced Artist
Covered by the Press
Painter of the Year 2023 of SINGULART AWARDS selected from more than 10000 artists

Beyond our power to understand creation are the efforts of artists concerned with exploring the areas of knowledge, with the encounter between the corporeal and the spiritual dimension, the mystery of the universe Ovidiu Kloska is transposed not only in painting, but also in other fields of art with which he experiments excitingly on the border between human and divine, between figurative and abstract.

Ovidiu Kloska Biography

Education

1995 - 2000

Gheorghe Asachi TEHCHNICAL UNIVERSITY IASI ROMANIA - Bachelor Degree in Electronics and Telecommunications

2013 - 2016

GEORGE ENESCU UNIVERSITY OF ARTS IASI ROMANIA - Bachelor Degree in Fine Arts

Beyond our power to understand creation are the efforts of artists concerned with exploring the areas of knowledge, with the encounter between the corporeal and the spiritual dimension, the mystery of the universe Ovidiu Kloska is transposed not only in painting, but also in other fields of art with which he experiments excitingly on the border between human and divine, between figurative and abstract.


Constantly fascinated, this dynamism of shape opens up in a unique way, by projecting a way of mind, a mind performance with neurological circuits. This is my magic eye.I believe that by uniqueness begins with the very capacity of inventing universe out of things shattered by time, things that have changed into ephemerity. There are hours that I spend staring at the mud, at the wrinkles of the trees, at the rust of walls damaged by time. It is an exercise that everybody should make. It means worming the spirit, getting in touch with the sublime. I am connected to silence and endless time during the short chat between things. Sublime. Esoteric. And the nigh, that cold, fascinating light that makes things change their meaning, driven by an inner tremble that is known from a previous moment, fluttering through images.

/ My visual relates with spirituality, dreams, unconsciousness, delirium, hallucination, with the change of shape and light, with the spontaneous, illusion, abnormal and normal, bizarre and wear. I was born in Romania, Neamt district,in a small town in N E of Romania at 27 of july 1977. In 2000 I graduated the Technical University Gheorghe Asachi from Iasi, Romania, Faculty of Electronics and Telecommunication. In 2009 I graduated master classes at George Enescu Art University from Iasi, Faculty of Fine Arts with the project Urban wear oniric interferences object of art. I Live and create in Focsani, Vrancea district from Romania /

Member of Romanian Union of Professional Artists UAP

Previous events
Event: Personal painting exhibition November 2019 Ovidiu Kloska

Dates: Nov. 20, 2019 - Dec. 19, 2019

Venue: romanArt Gallery Roman Romania, Romania
Exhibition took place at romanArt Gallery in artist home town Roman.

Event: Alone to the invisible touch , April 2015

Dates: April 17, 2015 - May 3, 2015

Venue: "Nicolae Mantu" Art Galleries, Galati Romania
Personal exhibition - Painting - "Nicolae Mantu" Art Galleries , Galati, Romania

Event: "Memory mark"

Dates: Nov. 14, 2009 - Nov. 25, 2009

Venue: Focsani, Vrancea, Romania
The concept event called "memory trace" is focused on
portrait of contemporary aesthetics, urban man fell into a sleep of impersonality,
of non-name, the spiritual and material constraint, featuring artist
direct expressive compositions, even incisive,
but bearing traces of that human memory will linger in the universe.
Will be exhibited works in oil on canvas, metal graphic interventions on photography,
creations in oil colors relate to wood, metal rusty wire and even nails.
Opening of the exhibition took place on November 14 hours 18. Special guest of this
Vrancea cultural initiatives is distinguished writer George Neagu, founder and editor
importance of cultural magazine "Literary Mirror".

Event: ESPACE COTOS ART GALLERY SAINT TROPEZ - FRANCE, October 2007 Exhibition

Dates: Oct. 2, 2007 - Oct. 18, 2007

Venue: Espace Cotos Art Gallery, Saint Tropez, France
Personal exhibition in a private Art Gallery owned by reknower french painter Georges Cotos.
Artist presented oil paintings on canvas and graphics on paper

Materials used:

framed acrylics and spray on canvas framed varnished

Tags:
#contemplative silence #infinite echo #sacred abstraction #sacred vibration #timeless breath #metaphysical rhythm #spiritual architecture #cosmic cathedral #luminous silence #existential resonance 

Cathedral of Silent Pulse (2025) Acrylic painting
by Kloska Ovidiu

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Original artwork description
Minus

“Cathedral of the Silent Pulse”
mixed media on canvas/ 125 x 105 cm / framed with a silver box frame / varnished / signed September 2025 / available 0040720190320
In “Cathedral of the Silent Pulse”, Ovidiu Kloska brings forth a visual intensity that transcends the limits of figuration, descending into the liminal space where matter, light, and memory are rewritten into a fluid architecture of perception. The large-scale work (120 x 100 cm), part of the cycle “Beyond the Inside”, continues the exploration of a dimension where inside and outside cease to be boundaries, becoming gates of a single cosmic breath.
The painting breathes like a living organism. Multiple layers of transparency and density gather into a texture reminiscent of a misted stained-glass window, as if the viewer were stepping into a cathedral built not of stone and glass but of chromatic vibrations and metaphysical resonances. Diffused whites, pearly greys, and violet accents converge in a flow of energies, creating the impression of a hidden presence — a sacred core that beats beneath the surface, at once fragile and monumental.
The work does not describe a concrete space, but rather a process: the transfiguration of matter into symbol, a search for absolute silence through the visual tumult of textures. Chaos becomes ordered in the moment of contemplation, and the gaze discovers, at the center of the vortex, an inner rhythm, like a cosmic pulse reverberating beyond the limits of the canvas.
Cathedral of the Silent Pulse is not merely an image, but an immersive experience. It invites the viewer to be absorbed into the fluctuating hues and the hidden dynamics of forms, to access that subtle territory where reality becomes metaphor and presence turns into echo. Within this visual space, the viewer is guided toward zones of introspection where thought and emotion merge, and silence itself becomes a form of knowledge.
More than a painting, the work is a meditation on the invisible force that animates matter. Within its vibration lies a call toward the “beyond the inside,” where fragility and strength coexist, where the ephemeral rises to the rank of eternity. This is a cathedral built not from stones and walls, but from the living pulse of light and time.
Thus, Cathedral of the Silent Pulse becomes a gateway to transcendence, a place of encounter between the visible and the invisible, between the concrete and the metaphysical. It demands not only to be seen, but also to be listened to, for within it beats the rhythm of a silence that reminds us of our own interiority. In this subtle dance between the ephemeral and the absolute, Kloska’s painting reveals its true power: the transformation of contemplation into an act of knowledge.

Artist highlights

International Exposure
Experienced Artist
Covered by the Press
Painter of the Year 2023 of SINGULART AWARDS selected from more than 10000 artists

Beyond our power to understand creation are the efforts of artists concerned with exploring the areas of knowledge, with the encounter between the corporeal and the spiritual dimension, the mystery of the universe Ovidiu Kloska is transposed not only in painting, but also in other fields of art with which he experiments excitingly on the border between human and divine, between figurative and abstract.

Ovidiu Kloska Biography

Education

1995 - 2000

Gheorghe Asachi TEHCHNICAL UNIVERSITY IASI ROMANIA - Bachelor Degree in Electronics and Telecommunications

2013 - 2016

GEORGE ENESCU UNIVERSITY OF ARTS IASI ROMANIA - Bachelor Degree in Fine Arts

Beyond our power to understand creation are the efforts of artists concerned with exploring the areas of knowledge, with the encounter between the corporeal and the spiritual dimension, the mystery of the universe Ovidiu Kloska is transposed not only in painting, but also in other fields of art with which he experiments excitingly on the border between human and divine, between figurative and abstract.


Constantly fascinated, this dynamism of shape opens up in a unique way, by projecting a way of mind, a mind performance with neurological circuits. This is my magic eye.I believe that by uniqueness begins with the very capacity of inventing universe out of things shattered by time, things that have changed into ephemerity. There are hours that I spend staring at the mud, at the wrinkles of the trees, at the rust of walls damaged by time. It is an exercise that everybody should make. It means worming the spirit, getting in touch with the sublime. I am connected to silence and endless time during the short chat between things. Sublime. Esoteric. And the nigh, that cold, fascinating light that makes things change their meaning, driven by an inner tremble that is known from a previous moment, fluttering through images.

/ My visual relates with spirituality, dreams, unconsciousness, delirium, hallucination, with the change of shape and light, with the spontaneous, illusion, abnormal and normal, bizarre and wear. I was born in Romania, Neamt district,in a small town in N E of Romania at 27 of july 1977. In 2000 I graduated the Technical University Gheorghe Asachi from Iasi, Romania, Faculty of Electronics and Telecommunication. In 2009 I graduated master classes at George Enescu Art University from Iasi, Faculty of Fine Arts with the project Urban wear oniric interferences object of art. I Live and create in Focsani, Vrancea district from Romania /

Member of Romanian Union of Professional Artists UAP

Previous events
Event: Personal painting exhibition November 2019 Ovidiu Kloska

Dates: Nov. 20, 2019 - Dec. 19, 2019

Venue: romanArt Gallery Roman Romania, Romania
Exhibition took place at romanArt Gallery in artist home town Roman.

Event: Alone to the invisible touch , April 2015

Dates: April 17, 2015 - May 3, 2015

Venue: "Nicolae Mantu" Art Galleries, Galati Romania
Personal exhibition - Painting - "Nicolae Mantu" Art Galleries , Galati, Romania

Event: "Memory mark"

Dates: Nov. 14, 2009 - Nov. 25, 2009

Venue: Focsani, Vrancea, Romania
The concept event called "memory trace" is focused on
portrait of contemporary aesthetics, urban man fell into a sleep of impersonality,
of non-name, the spiritual and material constraint, featuring artist
direct expressive compositions, even incisive,
but bearing traces of that human memory will linger in the universe.
Will be exhibited works in oil on canvas, metal graphic interventions on photography,
creations in oil colors relate to wood, metal rusty wire and even nails.
Opening of the exhibition took place on November 14 hours 18. Special guest of this
Vrancea cultural initiatives is distinguished writer George Neagu, founder and editor
importance of cultural magazine "Literary Mirror".

Event: ESPACE COTOS ART GALLERY SAINT TROPEZ - FRANCE, October 2007 Exhibition

Dates: Oct. 2, 2007 - Oct. 18, 2007

Venue: Espace Cotos Art Gallery, Saint Tropez, France
Personal exhibition in a private Art Gallery owned by reknower french painter Georges Cotos.
Artist presented oil paintings on canvas and graphics on paper

Materials used:

framed acrylics and spray on canvas framed varnished

Tags:
#contemplative silence #infinite echo #sacred abstraction #sacred vibration #timeless breath #metaphysical rhythm #spiritual architecture #cosmic cathedral #luminous silence #existential resonance 
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Beyond our power to understand creation are the efforts of artists concerned with exploring the areas of knowledge, with the encounter between the corporeal and the spiritual dimension, the mystery... Read more

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