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Carnivores and Herbivores (2024)Mixed-media painting
by Gela MIKAVA

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“Predators and Herbivores” explores the enduring imprint of violence, control, and survival in post-socialist society through the symbolic tension between dominance and vulnerability. Drawing from both architectural relics and the human form, the series renders memory as a contested site — where bodies echo historical trauma and buildings breathe silent authority.

Using layered abstraction, fading outlines, and ephemeral color washes, Gela Mikava constructs a visual language where softness and brutality coexist. The figures dissolve into fragments, while vertical structures impose, surveil, and divide — referencing the ghost of political ideologies that still shape perception and power.

The palette oscillates between restrained pastels and aggressive reds or industrial greys, invoking states of erasure, resistance, and reappearance. Through this painterly archaeology, Mikava proposes that history is not only documented in monuments but also etched into flesh, atmosphere, and emotional topographies.

These works offer a quiet yet insistent confrontation: who devours and who survives? And what remains, in the end — the predator’s monument or the herbivore’s memory?

Materials used:

Mixed media on textile and canvas

Details:

Tags:

#abstract art#modern artwork#conceptual abstract#sotheby's#christie's#surreal figures#destructed face#post trauma#post love#bonham's
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“Predators and Herbivores” explores the enduring imprint of violence, control, and survival in post-socialist society through the symbolic tension between dominance and vulnerability. Drawing from both architectural relics and the human form, the series renders memory as a contested site — where bodies echo historical trauma and buildings breathe silent authority.

Using layered abstraction, fading outlines, and ephemeral color washes, Gela Mikava constructs a visual language where softness and brutality coexist. The figures dissolve into fragments, while vertical structures impose, surveil, and divide — referencing the ghost of political ideologies that still shape perception and power.

The palette oscillates between restrained pastels and aggressive reds or industrial greys, invoking states of erasure, resistance, and reappearance. Through this painterly archaeology, Mikava proposes that history is not only documented in monuments but also etched into flesh, atmosphere, and emotional topographies.

These works offer a quiet yet insistent confrontation: who devours and who survives? And what remains, in the end — the predator’s monument or the herbivore’s memory?

Materials used:

Mixed media on textile and canvas

Details:

Tags:

#abstract art#modern artwork#conceptual abstract#sotheby's#christie's#surreal figures#destructed face#post trauma#post love#bonham's
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Location Georgia

About
Born on November 16, 1995, in Tbilisi, Georgia, Gela Mikava is an artist with a unique multidisciplinary approach, blending architectural precision with artistic innovation. With a foundation rooted in both... Read more

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