When I began Carmine Passage, I knew red would be the pulse of the work—its heat, its urgency. But I didn’t want it to stand alone. The cooler tones and softened neutrals became the spaces where the painting could breathe, where the intensity could find balance. To me, this piece is about movement—through warmth, through quiet, through contrast. In the context of SYNTAX, it’s a dialogue in colour: red leads, but every shade around it adds rhythm and meaning to the passage.
Acrylic and Oil Sticks
£4,679.67
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When I began Carmine Passage, I knew red would be the pulse of the work—its heat, its urgency. But I didn’t want it to stand alone. The cooler tones and softened neutrals became the spaces where the painting could breathe, where the intensity could find balance. To me, this piece is about movement—through warmth, through quiet, through contrast. In the context of SYNTAX, it’s a dialogue in colour: red leads, but every shade around it adds rhythm and meaning to the passage.
Acrylic and Oil Sticks
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