- Gera Dunachie
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- Breach of Light
Breach of Light (2025) Original Acrylic Painting by Gera Dunachie
43 x 43 x 3cm (framed) / 40 x 40cm (actual image size)
£580
Original artwork description
Breach of Light is a contemporary abstract work on cradled wood panel, built around a cold, severely restricted palette of blue and white. The composition is spare and deliberate. Each element either earns its place in the field or is removed. What remains is a painting about containment, and the single point where that containment gives way.
The surface develops through reduction rather than addition. Structural marks define the edges of the field; a concentrated area of pressure pushes through at one point, precise and unambiguous. The overall effect is one of clarity under tension.
A strong choice for contemporary spaces where restraint and emotional charge need to coexist. Works well in minimal interiors or as part of a considered collection.
I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.
I have aphantasia and syneasthesia: I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.
This work has been protected with satin UV protection varnish. Framed in white floater tray frame. Ready to hang.
Materials used:
Acrylics
Details:
- Acrylic painting on Panel / Board / MDF
- One of a kind artwork
- Size: 43 x 43 x 3cm (framed) / 40 x 40cm (actual image size)
- Framed and ready to hang
- Signed certificate of authenticity
- Style: Geometric
- Subject: Abstract and non-figurative
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Original artwork description
Breach of Light is a contemporary abstract work on cradled wood panel, built around a cold, severely restricted palette of blue and white. The composition is spare and deliberate. Each element either earns its place in the field or is removed. What remains is a painting about containment, and the single point where that containment gives way.
The surface develops through reduction rather than addition. Structural marks define the edges of the field; a concentrated area of pressure pushes through at one point, precise and unambiguous. The overall effect is one of clarity under tension.
A strong choice for contemporary spaces where restraint and emotional charge need to coexist. Works well in minimal interiors or as part of a considered collection.
I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.
I have aphantasia and syneasthesia: I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.
This work has been protected with satin UV protection varnish. Framed in white floater tray frame. Ready to hang.
Materials used:
Acrylics
Details:
- Acrylic painting on Panel / Board / MDF
- One of a kind artwork
- Size: 43 x 43 x 3cm (framed) / 40 x 40cm (actual image size)
- Framed and ready to hang
- Signed certificate of authenticity
- Style: Geometric
- Subject: Abstract and non-figurative
