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Blue dalla due anime (2026) Original Painting by Milena Nicosia

75 x 150 x 5cm (unframed)

£4,317

There are works that don't ask to be looked at, but listened to.
Works that aren't satisfied with a single orientation, because their truth is not linear, but circular.
This canvas belongs to that rare family of works that exist in two directions, as if the material itself holds a double breath.
In the ascending direction, the composition becomes impetus:
the elements seem to emerge from a remote backdrop, rising toward a light that is not a promise, but memory.
It is a vital movement, a tension that flows through the blue like an underground current.
Here the work speaks of rebirth, of what returns to the surface after being forgotten, of fragments that demand a new beginning.
In the descending direction, everything becomes more intimate.
The material settles, lets go, descends with a slow and luminous grace.
The objects lose weight, becoming suspensions, traces, deposits of time.
The light does not guide: it accompanies.
It is a movement inward, toward a silence that is not emptiness, but listening.
Two souls, one work.
One that rises, one that descends.
One that emerges, one that settles.
In both, the same truth: matter is never still, and light has no single direction.
This work doesn't ask us to choose a definitive direction.
It asks us to accept that each orientation is a different way of narrating the same transformation.
And perhaps it is precisely in this ambivalence that its deepest strength lies.

Materials used:

pigment, canvas, wood

Details:

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There are works that don't ask to be looked at, but listened to.
Works that aren't satisfied with a single orientation, because their truth is not linear, but circular.
This canvas belongs to that rare family of works that exist in two directions, as if the material itself holds a double breath.
In the ascending direction, the composition becomes impetus:
the elements seem to emerge from a remote backdrop, rising toward a light that is not a promise, but memory.
It is a vital movement, a tension that flows through the blue like an underground current.
Here the work speaks of rebirth, of what returns to the surface after being forgotten, of fragments that demand a new beginning.
In the descending direction, everything becomes more intimate.
The material settles, lets go, descends with a slow and luminous grace.
The objects lose weight, becoming suspensions, traces, deposits of time.
The light does not guide: it accompanies.
It is a movement inward, toward a silence that is not emptiness, but listening.
Two souls, one work.
One that rises, one that descends.
One that emerges, one that settles.
In both, the same truth: matter is never still, and light has no single direction.
This work doesn't ask us to choose a definitive direction.
It asks us to accept that each orientation is a different way of narrating the same transformation.
And perhaps it is precisely in this ambivalence that its deepest strength lies.

Materials used:

pigment, canvas, wood

Details:

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Milena Nicosia

Location Italy

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Dipinge da quando aveva 4 anni e da allora non ha mai perso l'entusiasmo di farlo. Lavora spesso con oggetti trovati e dialoga con loro facendoli vibrare di una nuova... Read more

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