Original artwork description:

The canvas of “Bananarama” is a riot of yellow, blue, green, contrasting dynamically against a pink background. The composition is lively, with swirling patterns and chaotic energy, evoking a sense of motion and spontaneity. The bananas themselves are only loosely rendered, sometimes appearing as mere arcs of pigment, sometimes as distorted, almost anthropomorphic shapes. Their arrangement is chaotic yet harmonious, suggesting the movement and rhythm of a dance. Around them, splashes of cobalt blue and hot pink evoke a sense of carnival.
The brushwork is unapologetically expressive; thick impasto sweeps create palpable ridges and valleys, inviting viewers to experience the painting not just visually but tactilely.
At its heart, “Bananarama” is more than a playful homage to its namesake. The banana, often a symbol of joviality and irreverence in pop imagery, is here recast as an emblem of human complexity. Some bananas appear bruised or partially peeled, exposing the soft interior beneath their protective skins. This motif resonates with the expressionist aim to reveal psychological truth: the tension between outer persona and inner reality. The title “Bananarama” makes a connection between visual art and music, in this case, 1980s synthpop, blurring the genres, inviting viewers to consider the synaesthesia of auditory and visual art, and its impact on generational culture.
The swirling background—an energetic storm of colour—suggests the tumult of modern life. The bananas serve as stand-ins for individuals, tossed and turned by unseen forces. Yet, their vivid hues and dynamic placement hint at resilience and joy.

Materials used:

mixed media, acrylic, spray paint