Title: The Indignation of Mars (Love Hurts)
Original work: The Indignation of Mars / The Punishment of Cupid
Original author: Bartolomeo Manfredi, 1613
Contemporary (digital) intervention: Slasky
Technique: Giclèe on canvas + digital intervention (neon "Love Hurts")
⸻
Description of the work
In the original seventeenth-century version of The Disdaination of Mars, Bartolomeo Manfredi — one of the most important Caravaggeschi — stages a rare and powerful mythological episode: Mars, god of war, punishes Cupid, god of love, for his uncontrollable interference. The god is portrayed in the act of hitting the winged child, who squirms between pain and surprise, in a chiaroscuro full of tension and theatricality. The work is a visual allegory of the conflict between passion and violence, between instinct and rationality, between love and domination.
Slasky intervenes digitally with an action as simple as it is devastating: it superimposes the scene on a neon sign with the words "Love Hurts". In a moment, the entire reading of the work moves, folds, opens. Neon — pop, urban, contemporary symbol — is not just a title. It's a sentence. It is a sentence that is valid today as yesterday. The myth is updated, the archetype becomes an emotional chronicle.
Violence between gods becomes a metaphor for contemporary toxic dynamics. The fluo writing, apparently kitsch, acts as a visual and emotional short circuit: it brings the pain of the young Cupid back to a universal and modern dimension, made of wrong relationships, selfishness, invisible wounds.
This Love Hurts Edition is a time bridge between baroque and present, an operation that does not "update" the opera, but amplifies it, reactivates it. The classic is not untouchable: it is alive, and can still speak with new words.
« Art is not representing new things, but representing them with novelty »
Slasky is an established Italian artist whose works have been exhibited in personal and collective exhibitions at international level
The artist has the ability to blend classical works of art with contemporary digital art techniques. With its classic neo-urban style, it combines tradition and modernity, bringing the protagonists of original works of art into contemporary social and artistic environments.
Latest Exhibitions
Parallax Art Fair
Kensington Town Hall
Hornton Street
London, London
W8 7NX
2024
Exhibition Only
CONTEMPORARY VENICE
Palazzo Pisani-Revedin
S. Marco, 4013A , 30124 Venice, Italy
ART LAB
Benjamin Eck Gallery
Munich, Germany
2021
My Fair
The information Photography Art Fair Italy
Milan, Italy
Lausanne Art Fair
Beaulieu Lausanne
Booth 59
Swiss
Lille ArtUp 2021
Lille, France
StreetArt//UrbanArt
Legnano, Italy
2020
Woodward Gallery
WashYourHands Exhibition
New York City, NY
RedSheep Gallery
Work in Paper
Stockholm, Sweden
2019
Wopart Art Fair 2019 / Exhibition Center - Lugano, Switzerland
Lang Leve Rembrandt
Rijksmuseum Amsterdam
133 Artist Reviews
£4,666.68
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Title: The Indignation of Mars (Love Hurts)
Original work: The Indignation of Mars / The Punishment of Cupid
Original author: Bartolomeo Manfredi, 1613
Contemporary (digital) intervention: Slasky
Technique: Giclèe on canvas + digital intervention (neon "Love Hurts")
⸻
Description of the work
In the original seventeenth-century version of The Disdaination of Mars, Bartolomeo Manfredi — one of the most important Caravaggeschi — stages a rare and powerful mythological episode: Mars, god of war, punishes Cupid, god of love, for his uncontrollable interference. The god is portrayed in the act of hitting the winged child, who squirms between pain and surprise, in a chiaroscuro full of tension and theatricality. The work is a visual allegory of the conflict between passion and violence, between instinct and rationality, between love and domination.
Slasky intervenes digitally with an action as simple as it is devastating: it superimposes the scene on a neon sign with the words "Love Hurts". In a moment, the entire reading of the work moves, folds, opens. Neon — pop, urban, contemporary symbol — is not just a title. It's a sentence. It is a sentence that is valid today as yesterday. The myth is updated, the archetype becomes an emotional chronicle.
Violence between gods becomes a metaphor for contemporary toxic dynamics. The fluo writing, apparently kitsch, acts as a visual and emotional short circuit: it brings the pain of the young Cupid back to a universal and modern dimension, made of wrong relationships, selfishness, invisible wounds.
This Love Hurts Edition is a time bridge between baroque and present, an operation that does not "update" the opera, but amplifies it, reactivates it. The classic is not untouchable: it is alive, and can still speak with new words.
« Art is not representing new things, but representing them with novelty »
Slasky is an established Italian artist whose works have been exhibited in personal and collective exhibitions at international level
The artist has the ability to blend classical works of art with contemporary digital art techniques. With its classic neo-urban style, it combines tradition and modernity, bringing the protagonists of original works of art into contemporary social and artistic environments.
Latest Exhibitions
Parallax Art Fair
Kensington Town Hall
Hornton Street
London, London
W8 7NX
2024
Exhibition Only
CONTEMPORARY VENICE
Palazzo Pisani-Revedin
S. Marco, 4013A , 30124 Venice, Italy
ART LAB
Benjamin Eck Gallery
Munich, Germany
2021
My Fair
The information Photography Art Fair Italy
Milan, Italy
Lausanne Art Fair
Beaulieu Lausanne
Booth 59
Swiss
Lille ArtUp 2021
Lille, France
StreetArt//UrbanArt
Legnano, Italy
2020
Woodward Gallery
WashYourHands Exhibition
New York City, NY
RedSheep Gallery
Work in Paper
Stockholm, Sweden
2019
Wopart Art Fair 2019 / Exhibition Center - Lugano, Switzerland
Lang Leve Rembrandt
Rijksmuseum Amsterdam
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