RossoTango is part of the Abstracts series, where the energy of the painted gesture becomes the true subject. In this work, the essence of tango is transformed into pure movement—a visual vibration that cuts through space and stirs the senses. There are no fixed contours: figures emerge and dissolve like presences in flux, bound together in a dynamic, emotionally charged embrace.
The palette is dominated by vivid red—sensual, urgent, alive—a symbol of passion and raw desire. Shades of white and blue offer contrast and calm, like breaths between steps. Painted entirely with a palette knife, the surface is textured and tactile: each stroke evokes rather than describes. Forms are built through fragments, in an abstract language that invites interpretation and emotional resonance.
My abstract approach is rooted in a vision of painting as an energetic field, where representation gives way to sensation. The work doesn’t narrate—it activates. It doesn’t freeze—it transforms. In RossoTango, the dance becomes metaphor: of encounter, of tension, of fusion, of freedom. A silent rhythm inviting the viewer not to observe, but to feel.
Oil
1 Artist Reviews
£780.75
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RossoTango is part of the Abstracts series, where the energy of the painted gesture becomes the true subject. In this work, the essence of tango is transformed into pure movement—a visual vibration that cuts through space and stirs the senses. There are no fixed contours: figures emerge and dissolve like presences in flux, bound together in a dynamic, emotionally charged embrace.
The palette is dominated by vivid red—sensual, urgent, alive—a symbol of passion and raw desire. Shades of white and blue offer contrast and calm, like breaths between steps. Painted entirely with a palette knife, the surface is textured and tactile: each stroke evokes rather than describes. Forms are built through fragments, in an abstract language that invites interpretation and emotional resonance.
My abstract approach is rooted in a vision of painting as an energetic field, where representation gives way to sensation. The work doesn’t narrate—it activates. It doesn’t freeze—it transforms. In RossoTango, the dance becomes metaphor: of encounter, of tension, of fusion, of freedom. A silent rhythm inviting the viewer not to observe, but to feel.
Oil
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