Omit reflects on elimination and repurpose in a society that is quick to discard whatever feels outdated or without use. The work imagines a world where nothing can truly be erased where every object, interaction, or state of mind remains as a permanent trace.
Handcrafted in plaster of Paris, its layered, geometric forms embody the paradox of removal that never fully succeeds. The surfaces capture both order and residue, permanence and accumulation.
Omit invites the viewer to sit with the discomfort of persistence: to confront what endures, what resists erasure, and what remains when nothing can be discarded.
Plaster of Paris
£5,200
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Omit reflects on elimination and repurpose in a society that is quick to discard whatever feels outdated or without use. The work imagines a world where nothing can truly be erased where every object, interaction, or state of mind remains as a permanent trace.
Handcrafted in plaster of Paris, its layered, geometric forms embody the paradox of removal that never fully succeeds. The surfaces capture both order and residue, permanence and accumulation.
Omit invites the viewer to sit with the discomfort of persistence: to confront what endures, what resists erasure, and what remains when nothing can be discarded.
Plaster of Paris
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