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Artwork description:

№Varv 230

The oil painting on canvas, titled "Lifebuoy in the Sea", captures a moment suspended between hope and uncertainty, between salvation and the unknown depths of the water. The composition is striking, with a bold red and white lifebuoy floating in the foreground, tethered to nothing, seemingly waiting to be grasped. The lifebuoy's surface bears subtle imperfections—traces of time, wear, and exposure to the elements—adding to the realism and evoking an unspoken story of past rescues or unfulfilled destinies. The surrounding water, a swirling mixture of deep blue and golden hues, pulsates with movement. The contrast between the two colors creates a sense of instability, a moment that could shift in any direction. The reflections of light dance across the waves, suggesting either the brilliance of the sun or the flickering uncertainty of twilight. This fluidity of color makes it unclear whether this is a moment of struggle or serenity, reinforcing the painting’s layered meaning. Just beyond the lifebuoy, a small paper boat drifts, fragile against the expanse of the sea. Its presence is almost symbolic—a childlike creation floating precariously in the vastness of the unknown. The paper boat contrasts with the lifebuoy in both material and purpose; one is a symbol of security, the other of impermanence. This juxtaposition invites the viewer to consider the delicate balance between hope and vulnerability, between survival and fate. Emerging from the water, partially obscured by the rippling surface, is the face of a child. Half-submerged, half-illuminated by light, the figure reaches toward the surface, though it is unclear whether they are swimming freely or struggling to stay afloat. The child’s expression is enigmatic—neither entirely fearful nor entirely calm—leaving room for interpretation. Their presence deepens the painting’s emotional impact, introducing themes of innocence, resilience, and the fine line between safety and danger. The brushwork is dynamic, blending elements of realism with expressive abstraction. The thick texture of the paint on the lifebuoy and water creates a tactile depth, while the softer, more fluid strokes depicting the child’s face and the reflections add a dreamlike quality. The golden highlights give the painting an almost surreal glow, as if time has momentarily paused in this scene.

*** ABOUT THIS PAINTING ***
* TITLE: "Lifebuoy in the sea"
* ARTISTS: Anatoly Varvarov
* SIZE: 100x120 cm/'39.37x47.24 inches'
* MEDIUM: oil, canvas
* HAND PAINTED: Original painting from our collection
* CONDITION: Photos provide accurate information about the product.

About the artist: Varvarov Anatoly Viktorovich

He was born on February 12, 1967 in Kremenchuk, Poltava region.

He graduated from Dnepropetrovsk Art School. EV Vuchetich (1983-1987)

National Academy of Fine Arts and Architecture - (1990-1996)

Member of the Union of Artists of Ukraine. He received the category of artist-restorer of easel painting (1999).

A. Varvarov is one of the members of the art commune "Squat on Olehivska", which emerged in the early 90's. The association was a non-profit view of art and demonstrated an innovative approach to the interpretation of contemporary processes in society. Artists did not limit themselves to the walls of galleries and museums and became known for their social actions. Performance installations and flash mobs

Lives and works in Kyiv.

The works are in UKM Uue Kunsti Muuseum | MONA The Museum of New Art, Dnipro Art Museum, CSM M17, National Art Gallery of Ukraine, collections of galleries "Soviart", "AVS ART", "RA", "Vernissage", and private collections of Ukraine, England, Austria, USA, Germany , Canada, Italy, Chile, China, Estonia, Poland, Czech Republic, Russia.

Materials used:

oil

Tags:
#figurative #seascape #summer #pop art #boy #print #contemporary art #symbolism #landscape art #art collectibles #genre art 

Lifebuoy in the Sea (2024) Giclée print
by Anatolii Varvarov

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Artwork description
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№Varv 230

The oil painting on canvas, titled "Lifebuoy in the Sea", captures a moment suspended between hope and uncertainty, between salvation and the unknown depths of the water. The composition is striking, with a bold red and white lifebuoy floating in the foreground, tethered to nothing, seemingly waiting to be grasped. The lifebuoy's surface bears subtle imperfections—traces of time, wear, and exposure to the elements—adding to the realism and evoking an unspoken story of past rescues or unfulfilled destinies. The surrounding water, a swirling mixture of deep blue and golden hues, pulsates with movement. The contrast between the two colors creates a sense of instability, a moment that could shift in any direction. The reflections of light dance across the waves, suggesting either the brilliance of the sun or the flickering uncertainty of twilight. This fluidity of color makes it unclear whether this is a moment of struggle or serenity, reinforcing the painting’s layered meaning. Just beyond the lifebuoy, a small paper boat drifts, fragile against the expanse of the sea. Its presence is almost symbolic—a childlike creation floating precariously in the vastness of the unknown. The paper boat contrasts with the lifebuoy in both material and purpose; one is a symbol of security, the other of impermanence. This juxtaposition invites the viewer to consider the delicate balance between hope and vulnerability, between survival and fate. Emerging from the water, partially obscured by the rippling surface, is the face of a child. Half-submerged, half-illuminated by light, the figure reaches toward the surface, though it is unclear whether they are swimming freely or struggling to stay afloat. The child’s expression is enigmatic—neither entirely fearful nor entirely calm—leaving room for interpretation. Their presence deepens the painting’s emotional impact, introducing themes of innocence, resilience, and the fine line between safety and danger. The brushwork is dynamic, blending elements of realism with expressive abstraction. The thick texture of the paint on the lifebuoy and water creates a tactile depth, while the softer, more fluid strokes depicting the child’s face and the reflections add a dreamlike quality. The golden highlights give the painting an almost surreal glow, as if time has momentarily paused in this scene.

*** ABOUT THIS PAINTING ***
* TITLE: "Lifebuoy in the sea"
* ARTISTS: Anatoly Varvarov
* SIZE: 100x120 cm/'39.37x47.24 inches'
* MEDIUM: oil, canvas
* HAND PAINTED: Original painting from our collection
* CONDITION: Photos provide accurate information about the product.

About the artist: Varvarov Anatoly Viktorovich

He was born on February 12, 1967 in Kremenchuk, Poltava region.

He graduated from Dnepropetrovsk Art School. EV Vuchetich (1983-1987)

National Academy of Fine Arts and Architecture - (1990-1996)

Member of the Union of Artists of Ukraine. He received the category of artist-restorer of easel painting (1999).

A. Varvarov is one of the members of the art commune "Squat on Olehivska", which emerged in the early 90's. The association was a non-profit view of art and demonstrated an innovative approach to the interpretation of contemporary processes in society. Artists did not limit themselves to the walls of galleries and museums and became known for their social actions. Performance installations and flash mobs

Lives and works in Kyiv.

The works are in UKM Uue Kunsti Muuseum | MONA The Museum of New Art, Dnipro Art Museum, CSM M17, National Art Gallery of Ukraine, collections of galleries "Soviart", "AVS ART", "RA", "Vernissage", and private collections of Ukraine, England, Austria, USA, Germany , Canada, Italy, Chile, China, Estonia, Poland, Czech Republic, Russia.

Materials used:

oil

Tags:
#figurative #seascape #summer #pop art #boy #print #contemporary art #symbolism #landscape art #art collectibles #genre art 
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About
Varvarov Anatoly Viktorovich He was born on February 12, 1967 in Kremenchuk, Poltava region. He graduated from Dnepropetrovsk Art School. EV Vuchetich (1983-1987) National Academy of Fine Arts and Architecture - (1990-1996) Member... Read more

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