№Varv 227
This oil painting on canvas, titled "Guardians of the Light", captures a moment of quiet contemplation where nature and human-made structures harmoniously coexist. The composition is centered around a tall blue utility pole, its weathered surface contrasting against the pale yellow sky, which exudes a warm, ethereal glow. At the pinnacle of the pole, a lone stork stands, poised and observant, as if standing sentinel over the landscape. The bird's presence adds a poetic touch, symbolizing resilience, guardianship, and the quiet wisdom of nature. The background consists of a softly blended expanse of sky, where delicate transitions of warm yellows and muted blues create a dreamlike atmosphere. The sky's luminosity suggests early morning or late afternoon light, enveloping the scene in a sense of serenity. Thin, dark power lines crisscross the composition, adding structure and movement while also acting as a visual metaphor for connection—between earth and sky, nature and human intervention, past and future. Lower in the painting, delicate flowers emerge from the greenery, their crimson petals standing out against the muted background. Their organic shapes contrast with the rigid lines of the utility pole, adding depth and life to the composition. The presence of these blooms reinforces the theme of persistence and renewal, as they flourish amidst industrial elements. A small, almost imperceptible paper airplane floats near the power lines, adding an intriguing layer of symbolism. It represents fleeting moments, childhood innocence, or dreams drifting in the wind, contrasting with the grounded and vigilant stance of the stork. This subtle detail invites the viewer to contemplate the impermanence of time and the beauty of fleeting experiences. The stork, standing watchful atop the pole, could symbolize a protector of the natural world, observing the landscape with an almost mystical presence. Meanwhile, the utility pole and power lines serve as modern-day conduits of energy, bringing light and communication to communities. The interplay between these elements suggests that both nature and technology play a role in safeguarding illumination, whether metaphorical or literal.
*** ABOUT THIS PAINTING ***
* TITLE: "Guardians of the Light"
* ARTISTS: Anatoly Varvarov
* SIZE: 110x80 cm/'43.30x31.49 inches'
* MEDIUM: oil, canvas
* HAND PAINTED: Original painting from our collection
* CONDITION: Photos provide accurate information about the product.
About the artist: Varvarov Anatoly Viktorovich
He was born on February 12, 1967 in Kremenchuk, Poltava region.
He graduated from Dnepropetrovsk Art School. EV Vuchetich (1983-1987)
National Academy of Fine Arts and Architecture - (1990-1996)
Member of the Union of Artists of Ukraine. He received the category of artist-restorer of easel painting (1999).
A. Varvarov is one of the members of the art commune "Squat on Olehivska", which emerged in the early 90's. The association was a non-profit view of art and demonstrated an innovative approach to the interpretation of contemporary processes in society. Artists did not limit themselves to the walls of galleries and museums and became known for their social actions. Performance installations and flash mobs
Lives and works in Kyiv.
The works are in UKM Uue Kunsti Muuseum | MONA The Museum of New Art, Dnipro Art Museum, CSM M17, National Art Gallery of Ukraine, collections of galleries "Soviart", "AVS ART", "RA", "Vernissage", and private collections of Ukraine, England, Austria, USA, Germany , Canada, Italy, Chile, China, Estonia, Poland, Czech Republic, Russia.
oil
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£540
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№Varv 227
This oil painting on canvas, titled "Guardians of the Light", captures a moment of quiet contemplation where nature and human-made structures harmoniously coexist. The composition is centered around a tall blue utility pole, its weathered surface contrasting against the pale yellow sky, which exudes a warm, ethereal glow. At the pinnacle of the pole, a lone stork stands, poised and observant, as if standing sentinel over the landscape. The bird's presence adds a poetic touch, symbolizing resilience, guardianship, and the quiet wisdom of nature. The background consists of a softly blended expanse of sky, where delicate transitions of warm yellows and muted blues create a dreamlike atmosphere. The sky's luminosity suggests early morning or late afternoon light, enveloping the scene in a sense of serenity. Thin, dark power lines crisscross the composition, adding structure and movement while also acting as a visual metaphor for connection—between earth and sky, nature and human intervention, past and future. Lower in the painting, delicate flowers emerge from the greenery, their crimson petals standing out against the muted background. Their organic shapes contrast with the rigid lines of the utility pole, adding depth and life to the composition. The presence of these blooms reinforces the theme of persistence and renewal, as they flourish amidst industrial elements. A small, almost imperceptible paper airplane floats near the power lines, adding an intriguing layer of symbolism. It represents fleeting moments, childhood innocence, or dreams drifting in the wind, contrasting with the grounded and vigilant stance of the stork. This subtle detail invites the viewer to contemplate the impermanence of time and the beauty of fleeting experiences. The stork, standing watchful atop the pole, could symbolize a protector of the natural world, observing the landscape with an almost mystical presence. Meanwhile, the utility pole and power lines serve as modern-day conduits of energy, bringing light and communication to communities. The interplay between these elements suggests that both nature and technology play a role in safeguarding illumination, whether metaphorical or literal.
*** ABOUT THIS PAINTING ***
* TITLE: "Guardians of the Light"
* ARTISTS: Anatoly Varvarov
* SIZE: 110x80 cm/'43.30x31.49 inches'
* MEDIUM: oil, canvas
* HAND PAINTED: Original painting from our collection
* CONDITION: Photos provide accurate information about the product.
About the artist: Varvarov Anatoly Viktorovich
He was born on February 12, 1967 in Kremenchuk, Poltava region.
He graduated from Dnepropetrovsk Art School. EV Vuchetich (1983-1987)
National Academy of Fine Arts and Architecture - (1990-1996)
Member of the Union of Artists of Ukraine. He received the category of artist-restorer of easel painting (1999).
A. Varvarov is one of the members of the art commune "Squat on Olehivska", which emerged in the early 90's. The association was a non-profit view of art and demonstrated an innovative approach to the interpretation of contemporary processes in society. Artists did not limit themselves to the walls of galleries and museums and became known for their social actions. Performance installations and flash mobs
Lives and works in Kyiv.
The works are in UKM Uue Kunsti Muuseum | MONA The Museum of New Art, Dnipro Art Museum, CSM M17, National Art Gallery of Ukraine, collections of galleries "Soviart", "AVS ART", "RA", "Vernissage", and private collections of Ukraine, England, Austria, USA, Germany , Canada, Italy, Chile, China, Estonia, Poland, Czech Republic, Russia.
oil
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