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๐˜’๐˜ข๐˜ณ๐˜ช๐˜ฎ ๐˜Š๐˜ข๐˜ณ๐˜ฆ๐˜ญ๐˜ญ๐˜ข ๐˜ช๐˜ด ๐˜ข๐˜ฏ ๐˜๐˜ต๐˜ข๐˜ญ๐˜ช๐˜ข๐˜ฏ ๐˜ง๐˜ช๐˜ฏ๐˜ฆ ๐˜ข๐˜ณ๐˜ต ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ซ๐˜ฐ๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ˆ๐˜ณ๐˜ต๐˜ง๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ง 2021. ๐˜๐˜ฏ ๐˜ข ๐˜ด๐˜ฉ๐˜ฐ๐˜ณ๐˜ต ๐˜ต๐˜ช๐˜ฎ๐˜ฆ, ๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ด๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ช๐˜ด๐˜ฉ๐˜ฆ๐˜ฅ ๐˜ข ๐˜ฉ๐˜ช๐˜จ๐˜ฉ๐˜ญ๐˜บ ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ฃ๐˜ญ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฆ๐˜ญ๐˜ญ-๐˜ณ๐˜ฆ๐˜จ๐˜ข๐˜ณ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ญ๐˜ข๐˜ต๐˜ง๐˜ฐ๐˜ณ๐˜ฎ, ๐˜ด๐˜ถ๐˜ฑ๐˜ฑ๐˜ฐ๐˜ณ๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ข ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ด๐˜ข๐˜ญ๐˜ฆ๐˜ด ๐˜ฑ๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ฏ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜จ๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ข๐˜ณ๐˜ต ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜บ ๐˜ฆ๐˜ฏ๐˜ต๐˜ฉ๐˜ถ๐˜ด๐˜ช๐˜ข๐˜ด๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ฐ๐˜ณ๐˜ด. ๐˜๐˜ฆ ๐˜ช๐˜ด ๐˜ฆ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ข๐˜ฑ๐˜ฑ๐˜ณ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฉ๐˜ช๐˜ด ๐˜ฅ๐˜ฆ๐˜ฆ๐˜ฑ๐˜ญ๐˜บ ๐˜ฅ๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜›๐˜ถ๐˜ด๐˜ค๐˜ข๐˜ฏ ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜ฃ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ค๐˜ต ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด. ๐˜๐˜ฏ 2024, ๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ด ๐˜ฏ๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜ฐ๐˜ต๐˜ฉ ๐˜‰๐˜ฆ๐˜ด๐˜ต ๐˜—๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜–๐˜ท๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ญ ๐˜‰๐˜ฆ๐˜ด๐˜ต ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต ๐˜ฐ๐˜ฏ ๐˜ˆ๐˜ณ๐˜ต๐˜ง๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ.

DIPTYCH n. 9
In this work, I wanted to explore the threshold between clarity and dissolution. The Tuscan hills that inspired me here are no longer defined by their contours but by the way light drifts across them, as if the landscape itself were slowly exhaling.

While creating these images, I followed the rhythm of movement rather than form. The earth stretched into soft fields of amber and sage, the sky folded into veils of grey and blue. What emerged was not a scene to be observed, but a state of mind to be enteredโ€”somewhere between dream and remembrance.

For me, this diptych speaks of transition: the passing of a season, the vanishing of a moment, the fragile boundary where memory begins to blur into imagination. Each panel carries its own voice, yet together they create a dialogue of silence and flow, a meditation in color and movement.
When I look at these two images side by side, I donโ€™t see Tuscany as much as I feel its essenceโ€”expansive, fleeting, and quietly eternal.
- - -

DIPTYCH n.9

โœ”๏ธ UNIQUE WORK (Limited edition of 1);
โœ”๏ธ Giclรฉe fine art print on Innova Exhibition Matte Polycotton Canvas 380gsm (with margin of 5 cm);
โœ”๏ธ Hand signed on the back;
โœ”๏ธ Certificate of authenticity, signed and numbered;
โœ”๏ธ Hahnemรผhle matt protective varnish for canvas inkjet prints applied.

Materials used:

Giclรฉe fine art print on Innova Exhibition Matte Polycotton Canvas 380gsm

Tags:
#minimalismย #impressionismย #diptychย #vanishingย #blue tonesย #rolling hillsย #golden abstractย #tuscany abstractย #meditation abstractionย #unique artpieceย 

Diptych n.9 (2024) Photograph
by Karim Carella

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ยฃ742.18ย Alert

  • Photograph on Canvas
  • From a limited edition of 1
  • Size: 150 x 80 x 0.2cm (unframed) / 140 x 70cm (actual image size)
  • Signed and numbered certificate of authenticity
  • Style: Impressionistic
  • Subject: Landscapes, sea and sky
  • Hurry only 1 left in stock

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Artwork description
Minus

๐˜’๐˜ข๐˜ณ๐˜ช๐˜ฎ ๐˜Š๐˜ข๐˜ณ๐˜ฆ๐˜ญ๐˜ญ๐˜ข ๐˜ช๐˜ด ๐˜ข๐˜ฏ ๐˜๐˜ต๐˜ข๐˜ญ๐˜ช๐˜ข๐˜ฏ ๐˜ง๐˜ช๐˜ฏ๐˜ฆ ๐˜ข๐˜ณ๐˜ต ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ซ๐˜ฐ๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ˆ๐˜ณ๐˜ต๐˜ง๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ง 2021. ๐˜๐˜ฏ ๐˜ข ๐˜ด๐˜ฉ๐˜ฐ๐˜ณ๐˜ต ๐˜ต๐˜ช๐˜ฎ๐˜ฆ, ๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ด๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ช๐˜ด๐˜ฉ๐˜ฆ๐˜ฅ ๐˜ข ๐˜ฉ๐˜ช๐˜จ๐˜ฉ๐˜ญ๐˜บ ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ฃ๐˜ญ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฆ๐˜ญ๐˜ญ-๐˜ณ๐˜ฆ๐˜จ๐˜ข๐˜ณ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ญ๐˜ข๐˜ต๐˜ง๐˜ฐ๐˜ณ๐˜ฎ, ๐˜ด๐˜ถ๐˜ฑ๐˜ฑ๐˜ฐ๐˜ณ๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ข ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ด๐˜ข๐˜ญ๐˜ฆ๐˜ด ๐˜ฑ๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ฏ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜จ๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ข๐˜ณ๐˜ต ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜บ ๐˜ฆ๐˜ฏ๐˜ต๐˜ฉ๐˜ถ๐˜ด๐˜ช๐˜ข๐˜ด๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ฐ๐˜ณ๐˜ด. ๐˜๐˜ฆ ๐˜ช๐˜ด ๐˜ฆ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ข๐˜ฑ๐˜ฑ๐˜ณ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฉ๐˜ช๐˜ด ๐˜ฅ๐˜ฆ๐˜ฆ๐˜ฑ๐˜ญ๐˜บ ๐˜ฅ๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜›๐˜ถ๐˜ด๐˜ค๐˜ข๐˜ฏ ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜ฃ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ค๐˜ต ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด. ๐˜๐˜ฏ 2024, ๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ด ๐˜ฏ๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜ฐ๐˜ต๐˜ฉ ๐˜‰๐˜ฆ๐˜ด๐˜ต ๐˜—๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜–๐˜ท๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ญ ๐˜‰๐˜ฆ๐˜ด๐˜ต ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต ๐˜ฐ๐˜ฏ ๐˜ˆ๐˜ณ๐˜ต๐˜ง๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ.

DIPTYCH n. 9
In this work, I wanted to explore the threshold between clarity and dissolution. The Tuscan hills that inspired me here are no longer defined by their contours but by the way light drifts across them, as if the landscape itself were slowly exhaling.

While creating these images, I followed the rhythm of movement rather than form. The earth stretched into soft fields of amber and sage, the sky folded into veils of grey and blue. What emerged was not a scene to be observed, but a state of mind to be enteredโ€”somewhere between dream and remembrance.

For me, this diptych speaks of transition: the passing of a season, the vanishing of a moment, the fragile boundary where memory begins to blur into imagination. Each panel carries its own voice, yet together they create a dialogue of silence and flow, a meditation in color and movement.
When I look at these two images side by side, I donโ€™t see Tuscany as much as I feel its essenceโ€”expansive, fleeting, and quietly eternal.
- - -

DIPTYCH n.9

โœ”๏ธ UNIQUE WORK (Limited edition of 1);
โœ”๏ธ Giclรฉe fine art print on Innova Exhibition Matte Polycotton Canvas 380gsm (with margin of 5 cm);
โœ”๏ธ Hand signed on the back;
โœ”๏ธ Certificate of authenticity, signed and numbered;
โœ”๏ธ Hahnemรผhle matt protective varnish for canvas inkjet prints applied.

Materials used:

Giclรฉe fine art print on Innova Exhibition Matte Polycotton Canvas 380gsm

Tags:
#minimalismย #impressionismย #diptychย #vanishingย #blue tonesย #rolling hillsย #golden abstractย #tuscany abstractย #meditation abstractionย #unique artpieceย 
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Karim Carella

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Location Italy

About
***ARTFINDER AWARDS 2024 - ARTIST OF THE YEAR***Attracted since childhood by the beauty of nature and natural landscapes, I began to express myself artistically at the age of seven during...ย Read more

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