Painting: Oil, china ink and varnish on Canvas.
Chiaroscuro is a technique in art, historically used by artist such as Rembrandt, where the use of lights and darks is exaggerated to create a very compelling effect. As I am also an opera singer, Chiaroscuro also refers to the perfect balance achieved by the singer where the voice is both perfectly light and perfectly dark. I use both meanings of this word in this painting to portray how although sometimes life brings us extremely difficult moments, there is always a majestical balance, and there is always light at the end of dark moment.
My work explores the symbiotic relationship between affects and art. On a psychological plane, the human compulsion to articulate our affects is crucial in our social model. Art, in all its disciplines, is the vehicle often used to verbalize our pathos. As a singer and a painter, my work always explores the emotions that stem from the act of singing and creating music. Through the use of mixed media, particularly media that repulse each other such as oil-based and water-based pigments, there is a process where this conflict forces me as the artist to surrender to a loss of control. This removes all inhibitions, thereby inducing the highest level of authenticity. The result is a colourful portrait of a psychological state of a given experience in music: abstract expressionistic snapshots recording various psychological affects, which at times even become a portrait of the music itself. Throughout this process I explore how I express and perceive my emotions, which in turn provokes the viewer to analyze and assess how they are affected by their own perception of each portrait.
oil, china ink, varnish