Quite often the 'magic' evolves in the process of transformation and destruction.
I chose a delicate white chinese paper for 'The Opening', but before the actual painting I wanted the sensitive paper to undergo a certain procedure to inherit some past and uniqueness itself. I drowned the carefully prepared, folded and tied up paper several times in a bath of ink. The emerged structures also add to a certain depth of the motiv.
Moreover the light plays a major role when exploring this painting: Every light situation (artificial or natural, direction, intensity, angle of view etc.) creates a different experience. It literary opens up with the light.
The paper work is mounted on a 2,5 cm thick cardboard (honeycomb structure), very light and ready to hang. If you prefer it framed I would recommend a floater frame.
chinese paper, cardboard (honeycomb - 2,5 cm thick)
2 Artist Reviews
£369.73
Quite often the 'magic' evolves in the process of transformation and destruction.
I chose a delicate white chinese paper for 'The Opening', but before the actual painting I wanted the sensitive paper to undergo a certain procedure to inherit some past and uniqueness itself. I drowned the carefully prepared, folded and tied up paper several times in a bath of ink. The emerged structures also add to a certain depth of the motiv.
Moreover the light plays a major role when exploring this painting: Every light situation (artificial or natural, direction, intensity, angle of view etc.) creates a different experience. It literary opens up with the light.
The paper work is mounted on a 2,5 cm thick cardboard (honeycomb structure), very light and ready to hang. If you prefer it framed I would recommend a floater frame.
chinese paper, cardboard (honeycomb - 2,5 cm thick)
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This artwork is sold by Nancy Marisa Arlt from Germany