Title: DUNE
Size: 20 x 20 cm | 7.9 x 7.9 in (with frame: 22 x 22 cm | 8.7 x 8.7 in)
Sides: not painted; traces of paint from the painting process
Frame: yes, framed in a narrow aluminum float frame
Signature: front, also signed Certificate of Authenticity
Medium: acylic, charcoal and oil stick on wood on board
Varnish: silky glossy with UV protection
Daniela Schweinsberg is a representative of the informal, gestural abstraction. Her works are powerful, colorful and challenging for the viewer. Often the gestural moment dominates the entire rhythm of the artwork. She receives inspiration for her works from many different sources - sometimes it is the color or the material itself that appeals to her, but she also processes the most diverse impressions of her environment and nature.
Starting from the first idea, the images are then created in an intensive dialogue between the artist and the work. In the process, the image itself, its change, its expression, becomes the determining factor of the painting process, whereby the original idea can also take a back seat.
Daniela’s painting process is a mixture of impulsiveness and considered approach. The finished works radiate a great deal of energy, the dynamics and spontaneity of the painting process is transferred to the viewer.
Acrylic, oil stick and charcoal on wood
27 Artist Reviews
£246.73 Sold
Title: DUNE
Size: 20 x 20 cm | 7.9 x 7.9 in (with frame: 22 x 22 cm | 8.7 x 8.7 in)
Sides: not painted; traces of paint from the painting process
Frame: yes, framed in a narrow aluminum float frame
Signature: front, also signed Certificate of Authenticity
Medium: acylic, charcoal and oil stick on wood on board
Varnish: silky glossy with UV protection
Daniela Schweinsberg is a representative of the informal, gestural abstraction. Her works are powerful, colorful and challenging for the viewer. Often the gestural moment dominates the entire rhythm of the artwork. She receives inspiration for her works from many different sources - sometimes it is the color or the material itself that appeals to her, but she also processes the most diverse impressions of her environment and nature.
Starting from the first idea, the images are then created in an intensive dialogue between the artist and the work. In the process, the image itself, its change, its expression, becomes the determining factor of the painting process, whereby the original idea can also take a back seat.
Daniela’s painting process is a mixture of impulsiveness and considered approach. The finished works radiate a great deal of energy, the dynamics and spontaneity of the painting process is transferred to the viewer.
Acrylic, oil stick and charcoal on wood
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