The work is painted on a tradition gesso ground and is titled and signed on the reverse. This piece is constructed from layers of mulitfarious materials; collage, acrylic paint, oil paint, water-based ink, letraset, cellulose spray paints all of which are embedded in layers of artist grade resin over a wooden ground. This is an exceptional durable medium, unaffected by UV light, providing exceptional longevity. It forms part of a larger series of work entitled "These Foolish Things..."
THESE FOOLISH THINGS……….
….Remind Me of You; the title of this eponymous standard - which I have purloined for this series of work – presents the listener with a string of disparate triggers or touch points to induce a memory or recollection of the subject, in the case of the song, a person. I have appropriated this concept, selecting a set of visual references that are collectively composed within the picture plane and have adopted a palette and mode of construction to elicit a sense of nostalgia, wistfulness, or, even possibly, melancholy. Dependent on the viewer this could conceivably be a memory; childhood reflection, person or thing. The bucolic scenes presented to the viewer are “consructs”; imaginary, fictious locations not located in the real world and hence open vessels for interpretation!
This series of work was initiated by my response to a random set of found imagery, objects and text* collected over the summer of 2015. I consciously selected imagery that held particular personal value and associations - this resource material although predominantly based around the natural world were only loosely connected, but nevertheless, as individual references they are, for me, loaded or charged and therefore possess a autobiographical poignancy and in keeping with the spirit of Schopenhauer. The resulting mixed-media collages are composed to develop a sense of coherence or narrative. The collage and disparate media are suspended between layers of resin although this is an attempt to further homogenise the picture plane the multiple strata generated are perhaps a fitting metaphor for the passage of time, alluvial or sedimentary deposits that signal millennial time shifts and relate to our universal, accumulated experience. The resulting oil paintings re-work or re-edit these initial collages; cropping, inverting, flipping, shifting scale.
*There are literary references in the form of fragments of Philip Larkin’s poem “MCMXIV”.
paper, acrylic, ink, cellulose sprays, epoxy resin