Original artwork description:

We are all in such a race towards our own mortality. We forget that our destination, our destiny is not entirely under our control. The journey we take is guided as much by external forces, influences and to some extent our own decisions. So what matters?

The painting 'No Accident - Inside Social Media' (2018) is a visual journey, it includes unexpected chance encounters of colour, light, space with our eyes and their journey across its surface that is different each time. Searching for answers that are waiting to be discovered when we give ourselves time to look and appreciate what we already know.

Revealed for all to see are algorithms in colour in a myriad of combinations, our lives each different and yet the same, reflecting brief encounters; places, people and experiences we have all shared.

Materials used:

Oil, canvas, wooden support

No Accident - Inside Social Media (2018)
Oil painting
by Duncan Whiteman

£2,991.73 Alert

Original artwork description
Minus

We are all in such a race towards our own mortality. We forget that our destination, our destiny is not entirely under our control. The journey we take is guided as much by external forces, influences and to some extent our own decisions. So what matters?

The painting 'No Accident - Inside Social Media' (2018) is a visual journey, it includes unexpected chance encounters of colour, light, space with our eyes and their journey across its surface that is different each time. Searching for answers that are waiting to be discovered when we give ourselves time to look and appreciate what we already know.

Revealed for all to see are algorithms in colour in a myriad of combinations, our lives each different and yet the same, reflecting brief encounters; places, people and experiences we have all shared.

Materials used:

Oil, canvas, wooden support

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This artwork is sold by Duncan Whiteman from Spain

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Duncan Whiteman

Location Spain

About
Exploring representation and means used to convey expression. Most recently the artist returned to paint capturing landscape and the human form not in likeness but as an impression, retinal stimulae... Read more

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