Artwork description:

Edition Sizes:

25 x 20 inches (63 x 50.5cm) Edition of 15 + 2 AP
37.5 x 30 inches (95 x 76cm) Edition of 15 + 2 AP
50 x 40 inches (126.5 x 101cm) Edition of 15 + 1 AP

‘Kanji no shio’ (Kanji on salt) – is a graphical representation of the intrusion of man on the nature environment. The disparity between the salted texture of a yellowed salt lake versus the introduced earth by way of roads that rust into the natural environment. Roads that serve as platforms for gold mining exploratory drilling.

Awards:
2019 PX3 – Fine Art Photographer of the Year
2019 PX3 – Fine Art Landscape – gold
2019 Budapest International Foto Awards – Nature – winner
2019 Budapest International Foto Awards – Nature Aerial – gold
2019 Budapest International Foto Awards – Fine Art Abstract – gold
2018 IPA Professional: Nature, Aerial/Drone – honourable mention 2019 Australian Photography Awards – Honourable Mention
2018 AIPP Australian Professional Photography Awards – silver distinction
2018 NZIPP Iris Awards – silver distinction
2018 WA Epson Professional Photography Awards – silver distinction

Fine Art prints are created on selected archival media by Canson-Infinity and Hahnemuhle papers to complement each image. Prints are shipped unframed.

Diasec mounting available by request.

Printing & Media:
This image is printed with pigment inks on Archival quality Canson Fine Art Paper with a 2-inch border all around in addition to the listed size.

All prints are produced by the artist in his personal studio in Vasse, Western Australia.

Also available as museum grade Diasec Acrylic Mount prints.

From the collection/series: 'Ordered Abstraction'

Limited Editions are signed front and back and include a signed and numbered Certificate of Authenticity.

Materials used:

Giclée Fine Art Print on Archival Media from Canson using pigment inks

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