Two eggs and a white rabbit in the nest.
The paintings of the series are intended to create the impression of a frozen moment in anticipation of destruction, a certain post-apocalyptic world, to cause conflicting feelings of peace and anxiety.
In recent works, I use translucent beads on oil paintings because I’m interested in going beyond the boundaries of the canvas and explore the play of light and shadow on the painting when adding additional objects.
All the paintings of this series are connected to each other and create a story. The beads are references to the red bubbles and cranberries in the painting Do not shoot, fragments of deer-girl's world.
Oil on canvas, beads.
Transparent beads are sewn to the canvas.
The painting looks different depending on the lighting. You can see this in additional photos.
Sides painted, don't need a frame. Ready to hang.
Signed by me on the side and on the back.
oil, beads
2 Artist Reviews
£301.18 Sold
This artwork has sold, but the artist is accepting commission requests. Commissioning an artwork is easy and you get a perfectly personalised piece.
Two eggs and a white rabbit in the nest.
The paintings of the series are intended to create the impression of a frozen moment in anticipation of destruction, a certain post-apocalyptic world, to cause conflicting feelings of peace and anxiety.
In recent works, I use translucent beads on oil paintings because I’m interested in going beyond the boundaries of the canvas and explore the play of light and shadow on the painting when adding additional objects.
All the paintings of this series are connected to each other and create a story. The beads are references to the red bubbles and cranberries in the painting Do not shoot, fragments of deer-girl's world.
Oil on canvas, beads.
Transparent beads are sewn to the canvas.
The painting looks different depending on the lighting. You can see this in additional photos.
Sides painted, don't need a frame. Ready to hang.
Signed by me on the side and on the back.
oil, beads
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This artwork is sold by Julia Kuzina from Russia