Original artwork description:

The use of oil paint is very layered. I started from a layer of undefined (color) spots that continue to play a part in the final image. I apply the first painted layers transparently (so that the existing underlying stains remain partly visible) and on the still wet paint I press an empty canvas that consequently removes part of the paint and often causes new smears and stains. I again paint a sharp part of the image in it and leave other parts vague(er). The painting and 'printing' with the other canvas is repeated a number of times. I search for light, surface and texture and try things out. Paint may run through and sift. Forms arise that I didn't think of. Playing with color, I introduce new variables into the image. New decisions arise from here. It is a conscious process, but coincidence certainly plays a role.

Materials used:

oil paint on canvas

Tags:
#oil painting #portrait #oil on canvas 
Garden II (2019)
Oil painting
by Dick van Dijk

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£430.25 Alert

Original artwork description
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The use of oil paint is very layered. I started from a layer of undefined (color) spots that continue to play a part in the final image. I apply the first painted layers transparently (so that the existing underlying stains remain partly visible) and on the still wet paint I press an empty canvas that consequently removes part of the paint and often causes new smears and stains. I again paint a sharp part of the image in it and leave other parts vague(er). The painting and 'printing' with the other canvas is repeated a number of times. I search for light, surface and texture and try things out. Paint may run through and sift. Forms arise that I didn't think of. Playing with color, I introduce new variables into the image. New decisions arise from here. It is a conscious process, but coincidence certainly plays a role.

Materials used:

oil paint on canvas

Tags:
#oil painting #portrait #oil on canvas 

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This artwork is sold by Dick van Dijk from Netherlands

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Dick van Dijk

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Location Netherlands

About
I learnt to paint in a classical way: by observation, with solid anatomical underpinnings, but in my own practice I am mainly interested in what you can leave out, suggest.... Read more

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