This artwork encapsulates the vibrancy and dynamic nature of the natural world. The bold, expressive strokes and luminous colours are designed to evoke a spirit of rejuvenation and inspiration in an Autumn forest full of sunshine and colour. With tones of amber, copper, magenta and gold this piece is an emotional response to the beauty and complexity of a forest, blending reality with imagination through a semi-abstract perspective. It's created to bring an invigorating energy into any space, encouraging viewers to dream and feel the enchanting pulse of nature.
An original artwork, one of a kind, this painting has been created with high quality acrylic paints on deep edged canvas. I begin with observation of the place making notes and taking photographs to work from in the studio. From these beginnings I work intuitively, painting some base layers with a brush and then impasto techniques layer on layer applied with a palette knife. Harnessing optical mixing techniques employed by the impressionists the painting resonates with colour, the eye merges the expressive marks so that the full scene of woodland beauty forms as the viewer stands away from the piece. The painting continues round the sides and it is ready to hang.
Acrylic Paints on deep edge canvas
28 Artist Reviews
£1,150
Loading
This artwork encapsulates the vibrancy and dynamic nature of the natural world. The bold, expressive strokes and luminous colours are designed to evoke a spirit of rejuvenation and inspiration in an Autumn forest full of sunshine and colour. With tones of amber, copper, magenta and gold this piece is an emotional response to the beauty and complexity of a forest, blending reality with imagination through a semi-abstract perspective. It's created to bring an invigorating energy into any space, encouraging viewers to dream and feel the enchanting pulse of nature.
An original artwork, one of a kind, this painting has been created with high quality acrylic paints on deep edged canvas. I begin with observation of the place making notes and taking photographs to work from in the studio. From these beginnings I work intuitively, painting some base layers with a brush and then impasto techniques layer on layer applied with a palette knife. Harnessing optical mixing techniques employed by the impressionists the painting resonates with colour, the eye merges the expressive marks so that the full scene of woodland beauty forms as the viewer stands away from the piece. The painting continues round the sides and it is ready to hang.
Acrylic Paints on deep edge canvas
14 day money back guaranteeLearn more